update v 1.17426
bugs fixed
bugs fixed

bugs fixed
bugs fixed
bugs fixed
bugs fixed
add Achievements
add Achievements
add Achievements
add Achievements
add SteamOS + Linux bugs fixed
add SteamOS + Linux bugs fixed
bugs fixed
bugs fixed
bugs fixed
bugs fixed
Schedule Released for my patrons (uncen) $ 100 — 14/02/2017 $ 70 — 15/02/2017 $ 50 — 16/02/2017 $ 30 — 17/02/2017 $ 20 — 18/02/2017 $ 15 — 19/02/2017 $ 10 — 20/02/2017 $ 5 — 21/02/2017 $ 3 — 22/02/2017 $ 1 — 23/02/2017 Public Released - 28/02/2017 (censored)
Schedule Released for my patrons (uncen)
Schedule Released for my patrons (uncen) $ 100 — 14/02/2017 $ 70 — 15/02/2017 $ 50 — 16/02/2017 $ 30 — 17/02/2017 $ 20 — 18/02/2017 $ 15 — 19/02/2017 $ 10 — 20/02/2017 $ 5 — 21/02/2017 $ 3 — 22/02/2017 $ 1 — 23/02/2017 Public Released - 28/02/2017 (censored)
Schedule Released for my patrons (uncen)
The Last Weekend already done. Next step check the bugs and go to translate. Public release - feb/28/2017 All my patrons get early access to the game (uncen). patreon.com/kexboy Thank you for support!
The Last Weekend already done.
Next step check the bugs and go to translate.
Public release - feb/28/2017
All my patrons get early access to the game (uncen).
patreon.com/kexboy
Thank you for support!
The Last Weekend already done. Next step check the bugs and go to translate. Public release - feb/28/2017 All my patrons get early access to the game (uncen). patreon.com/kexboy Thank you for support!
The Last Weekend already done.
Next step check the bugs and go to translate.
Public release - feb/28/2017
All my patrons get early access to the game (uncen).
patreon.com/kexboy
Thank you for support!
Why she go to the attic? -) the game is ready for 85% Speed up the development!
Why she go to the attic? -)
the game is ready for 85%
Speed up the development!
https://www.patreon.com/kexboy
Why she go to the attic? -) the game is ready for 85% Speed up the development!
Why she go to the attic? -)
the game is ready for 85%
Speed up the development!
https://www.patreon.com/kexboy
We have already told you that you can play the game as different player in various ways. That’s quite obvious because different people always act differently. We decided to go further and made multiple storylines for every leading character. For instance, if you can't complete an
We have already told you that you can play the game as different player in various ways. That’s quite obvious because different people always act differently. We decided to go further and made multiple storylines for every leading character.
For instance, if you can't complete any of the tasks another character can do it for you, so as a result the course of events goes the other way round.
Of course, the main story stays the same, the mini-games can’t affect it much, but the ending completely depends on your actions. Guess how many endings we got for you!
10! Exactly! Ten endings. One good and one bad for each of the four players and one ending for each couple. The endings will also be different depending on a number of survivors.
There’s one interesting twist about that – rescuing one of the characters gets you to the happy ending faster, so you kind of shorten the game. Want to see more? Stay alone and you’ll get to the other happy ending. Quite rough but at least it’s just a game ;)
We have already told you that you can play the game as different player in various ways. That’s quite obvious because different people always act differently. We decided to go further and made multiple storylines for every leading character. For instance, if you can't complete an
We have already told you that you can play the game as different player in various ways. That’s quite obvious because different people always act differently. We decided to go further and made multiple storylines for every leading character.
For instance, if you can't complete any of the tasks another character can do it for you, so as a result the course of events goes the other way round.
Of course, the main story stays the same, the mini-games can’t affect it much, but the ending completely depends on your actions. Guess how many endings we got for you!
10! Exactly! Ten endings. One good and one bad for each of the four players and one ending for each couple. The endings will also be different depending on a number of survivors.
There’s one interesting twist about that – rescuing one of the characters gets you to the happy ending faster, so you kind of shorten the game. Want to see more? Stay alone and you’ll get to the other happy ending. Quite rough but at least it’s just a game ;)
Today we are going to have a little talk about our working process. We have already told you about the way that idea can travel before it turns into reality. Today we tell you about the very beginning of the work at it. How do you think the games like this are made? Where does it
Today we are going to have a little talk about our working process. We have already told you about the way that idea can travel before it turns into reality. Today we tell you about the very beginning of the work at it.
How do you think the games like this are made? Where does it all begin? No, not with the summary but with the idea. We say something like that: let it be a quest horror game. Only after that we think of setting and characters, then we discuss an approximate plot. After that the writer starts his work.
The scenario is not often written from the beginning to the end at once. It is just inefficient. It takes much time to create the story as you write it. And if other members of the team do not like it – you would have to rewrite a lot.
We usually work this way: first comes synopsis – the description of the story, all characters and their actions, but no dialogues or concrete quests. And only after the team agrees to this synopsis, the writer can start working with the details.
What do you think the scenario includes? Absolutely everything. All the dialogues, all the personality characterization, the location descriptions, all quests and puzzles, and all the precise story line for each cut-in clip.
So how big the scenario can be? The bigger the game the bigger it is. This time we had a thirty-five thousand words text. That's massive! It is so, just because our writer had to make four scenarios instead of one. Four personal stories for each character. That how it comes to be so big.
Okay, we admit that scenario is not that big =) Part of the description just shows up again, like in some video reels.
Today we are going to have a little talk about our working process. We have already told you about the way that idea can travel before it turns into reality. Today we tell you about the very beginning of the work at it. How do you think the games like this are made? Where does it
Today we are going to have a little talk about our working process. We have already told you about the way that idea can travel before it turns into reality. Today we tell you about the very beginning of the work at it.
How do you think the games like this are made? Where does it all begin? No, not with the summary but with the idea. We say something like that: let it be a quest horror game. Only after that we think of setting and characters, then we discuss an approximate plot. After that the writer starts his work.
The scenario is not often written from the beginning to the end at once. It is just inefficient. It takes much time to create the story as you write it. And if other members of the team do not like it – you would have to rewrite a lot.
We usually work this way: first comes synopsis – the description of the story, all characters and their actions, but no dialogues or concrete quests. And only after the team agrees to this synopsis, the writer can start working with the details.
What do you think the scenario includes? Absolutely everything. All the dialogues, all the personality characterization, the location descriptions, all quests and puzzles, and all the precise story line for each cut-in clip.
So how big the scenario can be? The bigger the game the bigger it is. This time we had a thirty-five thousand words text. That's massive! It is so, just because our writer had to make four scenarios instead of one. Four personal stories for each character. That how it comes to be so big.
Okay, we admit that scenario is not that big =) Part of the description just shows up again, like in some video reels.
Last time we were talking about how much work the writer does. Today we unveil one more secret to you: on the way from the beginning of the work with the scenario to its end the leading characters may change completely. Don't be surprised. It doesn't mean that the writer never kn
Last time we were talking about how much work the writer does. Today we unveil one more secret to you: on the way from the beginning of the work with the scenario to its end the leading characters may change completely.
Don't be surprised. It doesn't mean that the writer never knows his own mind and acts by touch. No. The thing is that you can completely grasp the nature of the character and bring it out only during the description of its actions. So it happens that you think of one character and you get another one in the end.
That is what happened to Anthony. According to the plot, he goes into sports, he is a powerful young man. It would seem logical that he should act using his physical skills and solve all the problems radically.
But the further we went with his storyline the more we knew that he was a totally different character. In spite of his physical strength he doesn’t want to handle anything, he feels much more comfortable stepping aside so that troubles would stay out of his sight.
It turned out to be the completely opposite situation with Paul. He is an IT guy; he works with his mind, not hands. But he is the one who rushed to the attack.
And Sofia was the most interesting twist. First, she was a short unattractive girl wearing glasses then she became a well-shaped handsome lady with strong eyes and a couple of original pigtails.
Last time we were talking about how much work the writer does. Today we unveil one more secret to you: on the way from the beginning of the work with the scenario to its end the leading characters may change completely. Don't be surprised. It doesn't mean that the writer never kn
Last time we were talking about how much work the writer does. Today we unveil one more secret to you: on the way from the beginning of the work with the scenario to its end the leading characters may change completely.
Don't be surprised. It doesn't mean that the writer never knows his own mind and acts by touch. No. The thing is that you can completely grasp the nature of the character and bring it out only during the description of its actions. So it happens that you think of one character and you get another one in the end.
That is what happened to Anthony. According to the plot, he goes into sports, he is a powerful young man. It would seem logical that he should act using his physical skills and solve all the problems radically.
But the further we went with his storyline the more we knew that he was a totally different character. In spite of his physical strength he doesn’t want to handle anything, he feels much more comfortable stepping aside so that troubles would stay out of his sight.
It turned out to be the completely opposite situation with Paul. He is an IT guy; he works with his mind, not hands. But he is the one who rushed to the attack.
And Sofia was the most interesting twist. First, she was a short unattractive girl wearing glasses then she became a well-shaped handsome lady with strong eyes and a couple of original pigtails.