Player choice is one of the key pillars of Disjunction, both in terms of gameplay and in terms of story. Similar to some of the classic games that Disjunction takes after, players can choose to play through the game using stealth, violence, or a varying combination of the two. Levels, abilities, and enemies are all designed with this in mind, allowing players to feel both challenged and rewarded by the way they choose to overcome encounters.

For example, there’s nothing preventing the player from going in guns blazing, mowing down their enemies at every opportunity. It’s a perfectly viable and justifiable way of navigating the brutal New York City underworld. On the other hand, if the player murders every character they encounter, it’ll be hard for them to meaningfully forge alliances or sway potential supporters to their cause. On top of that, the characters who they play as will realistically be affected with the moral weight of killing dozens of enemies without a second thought.

In addition, Disjunction features branching conversations throughout the course of the game. Within these conversations, players can choose who they ally with, who gets to keep control of certain factions, and who ends up surviving until the end of the game. These choices can have a major impact on how things play out, and should be considered carefully.

Of course, it’s up to the player how much stock they put in these decisions and their subsequent consequences. If all a player wants to do is “beat” the game, there are certainly many ways they can accomplish that. But in a game with choice, “beating” the game is not the same thing as “winning.”

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