When I think of the first Dead Space, I picture voiceless engineer Isaac Clarke creeping through the corridors of the mining ship Ishimura, accompanied only by the groans of iron joints and the roars of reanimated corpses. His face is always obscured by the three glowing green bars on his helmet—like Sam Fisher if he were a BioShock character—and his only human company comes from warnings finger-painted onto the walls in blood...
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