The Tool is a video game developed by artist Mikhail Maksimov, in which the player creates increasingly complicated tools and combinations thereof—“endless equipment”—while ignoring not only the usual game logic, which implies that tools are needed to play through specific tests, but also the very principle of the consistency and finality of any game.
The start screen suggests beginning the interaction with objects of different types: man-made or not, animate and inanimate, of organic or synthetic origin. From a cow to a galaxy, from a cactus to an atom. The initial stage of interaction unfolds intuitively, but the interface turns out to be extremely demanding to use, so the player needs special guidance. This is available on Steam.
In the guidance, the artist compares the game’s pursuit of nonlinearity to the way coherent storytelling was undermined in Olga Lyalina's classic net art work My Boyfriend Came Back from the War. The Tool, where objects with disturbed scale are accumulated in a gravitational field or, to be more precise, in a slime-like “inhibitor of real things,” vaguely resembles the mechanics of the legendary Katamari Damacy by game designer Keita Takahashi, in which the player collects objects on a gummy ball by rolling it and getting the opportunity to glue larger and larger objects to it, while simultaneously increasing the size of the ball. Such linear progress is completely removed from Maksimov's game. The variety of objects also brings to mind David O'Reilly’s game Everything, where the player can become literally everything, from a microorganism to a planet. But unlike O'Reilly's game, in which the human image remains central, Maksimov shifts focus to a clean and free cataloguing of various objects: the saved sets receive names and are assembled into lines, free from preliminary reflection, plot, and dramaturgy; they are constructed based on abstract relationships between the selected objects. Words do not mean anything, but they become repositories of specific things that can be exchanged by taking them out of a remote cloud.
