If you like dark and mysterious lands of the unknown then have we got a travel package for you! Keeper is a story told without words, in which a long-forgotten lighthouse is awakened and, joined by a spirited seabird, it embarks upon a heartening tale of unlikely companionship, a
If you like dark and mysterious lands of the unknown then have we got a travel package for you!
Keeper is a story told without words, in which a long-forgotten lighthouse is awakened and, joined by a spirited seabird, it embarks upon a heartening tale of unlikely companionship, and an unexpected journey into realms beyond understanding. It’s a bite-sized, third-person puzzle-adventure, unlike anything you've experienced before.
Keeper is out now on Steam! Don't look up anything about it, trust us, just play and immerse yourself in the journey.
Back in 2015, Grim Fandango Remastered came out, making it easier than it had been since the original version's 1998 launch to play one of the most beloved adventure games ever made. Still, even with the attention given to the classic LucasArts launch - one as well regarded as th
Back in 2015, Grim Fandango Remastered came out, making it easier than it had been since the original version's 1998 launch to play one of the most beloved adventure games ever made. Still, even with the attention given to the classic LucasArts launch - one as well regarded as the studio's The Secret of Monkey Island, Day of the Tentacle, and Maniac Mansion - the remaster didn't provide players with every one of the updates they were looking for. Fortunately, almost a decade later, fans of the game have just put out a new mod that finishes remastering the remaster for free.
ScummVM celebrated its 20th birthday on Saturday, two decades of making old games easier to run on modern systems. The project started focused on LucasArts adventure games built in the SCUMM game engine and the first release only supported Monkey Island 2, and it has since grown
ScummVM celebrated its 20th birthday on Saturday, two decades of making old games easier to run on modern systems. The project started focused on LucasArts adventure games built in the SCUMM game engine and the first release only supported Monkey Island 2, and it has since grown to support over 300 games across other genres too. To celebrate that big birthday, a new update hit adding support for more game engines and many more games, including The Longest Journey, Grim Fandango, and Crusader: No Remorse.
ScummVM is 20 years old - and to celebrate it's just released a big new update. Script Creation Utility for Maniac Mansion Virtual Machine (ScummVM) is a program that allows you to run many classic point-and-click adventure games and RPGs on modern computers. ScummVM was created
ScummVM is 20 years old - and to celebrate it's just released a big new update.
Script Creation Utility for Maniac Mansion Virtual Machine (ScummVM) is a program that allows you to run many classic point-and-click adventure games and RPGs on modern computers.
ScummVM was created by then computer science student Ludvig Strigeus, who pushed the initial revision of the code, version 0.0.1., on 9th October 2001. It was originally created to play LucasArts adventure games that use the Scumm system, but it supports many non-Scumm games, too.
Classic LucasArts remasters are coming to Xbox Game Pass, Microsoft has announced. Grim Fandango Remastered, Day of the Tentacle Remastered, and Full Throttle Remastered launch on Xbox Game Pass on 29th October for Xbox and Windows 10 PC. 1993 point and click adventure game Day o
Classic LucasArts remasters are coming to Xbox Game Pass, Microsoft has announced.
Grim Fandango Remastered, Day of the Tentacle Remastered, and Full Throttle Remastered launch on Xbox Game Pass on 29th October for Xbox and Windows 10 PC.
1993 point and click adventure game Day of the Tentacle is the sequel to Ron Gilbert's Maniac Mansion. Full Throttle is a 1995 graphic adventure from Tim Schafer. And Grim Fandango is the 1998 adventure game also directed by Schafer.
One Off The List is our weekly list feature. Is there something you think doesn t deserve to be on this list? Comment with your reasons why, and next week it may be struck off. Hell is other people, wrote Jean-Paul Satre. But also my favourite level in Doom. He was a smart man, a
One Off The List is our weekly list feature. Is there something you think doesn t deserve to be on this list? Comment with your reasons why, and next week it may be struck off.
Hell is other people, wrote Jean-Paul Satre. But also my favourite level in Doom. He was a smart man, and he probably lives in hell now, on account of all the atheism. But listen, hell doesn t seem that bad. Bit hot. Bit demonic. You could do a lot worse than a trip to the underworld, is what I m saying, and as luck would have it, we have the perfect means for you to go there without singeing your eyebrows or being dunked in a toxic lake for eternity. That s right: videogames. It s always videogames. Here are the 10 best hells you can visit on PC.
For a constantly updated list of our favorite games on PC, check out our list of the best PC games right now . Every year, the PC Gamer team embarks on an epic quest to choose the top 100 PC games. Where previously we voted for our favourite games, this year we talked: discussing
For a constantly updated list of our favorite games on PC, check out our list of thebest PC games right now.
Every year, the PC Gamer team embarks on an epic quest to choose the top 100 PC games. Where previously we voted for our favourite games, this year we talked: discussing each of our nominations and deciding which games should make the list. The result is a more honest, considered reflection of our conflicting tastes and opinions as PC gamers.
This list represents what we think are the greatest PC games you can play today. We wanted to celebrate the breadth and variety of PC gaming, and so, for the most part, have restricted ourselves to one game per series. You'll also find a selection of personal picks: games we individually love that didn't quite make the cut. Enjoy!
Steven Messner: Path of Exile has quietly become one of the best action RPGs around thanks to its almost incomprehensible depth and wildly different seasonal leagues, where whole new systems are introduced. But the best part is its character customisation and spell crafting system. Path of Exile encourages players to make marauders who let spell totems do all the killing for them, witches who melt hordes with a fiery beam, or duelists that cover every inch of the map in a deadly rain of arrows.
99. Twisted Insurrection
RELEASED 2010 | LAST POSITION New entry
John Strike: Tiberian Sun's best mod brazenly shames the original Firestorm expansion in almost every way. It’s bigger and bolder, offering new buildings, a whole fleet of new units and even a new faction. There’s a completely new musical score and dozens of single player missions, some of which are based on the original Command & Conquer. Not only are new missions and units still being added, but, as a standalone free download, it's the most accessible way to play one of C&C's greats.
98. Killing Floor 2
RELEASED 2016 | LAST POSITION 81
Evan Lahti: There are disturbingly few places in video games where I can cut an evil clown in half with a quad-barrelled shotgun. Killing Floor 2 is the world’s greatest gore effects system laid atop an enjoyable skeleton. Hordes of monsters trickle into the map, magnetized to your position, and you mulch them with buzzsaw-spitters, incendiary shotguns, rocket launchers, or a microwave cannon that heats enemies from the inside until they burst. The dynamic slow-mo system adds so much, dampening the chaos just enough—granting extra moments to take aim or take in the sight of an intestine flying across the screen. Tripwire is a skilled digital gunsmith, and the detail lent to particle effects and reload animations holds up wonderfully even under the scrutiny of these plentiful, slowed-down sequences. I also love that KF2 doesn’t simply make these mutants into bullet sponges. On higher difficulties, enemies adopt different behavioral triggers that make them genuinely harder to handle.
Wes Fenlon: The precision and teamwork it takes to play Killing Floor 2 at higher difficulties is especially thrilling. Also, I once played a community map that was monochrome purple and themed after Game Boy-era Pokémon. It was pretty bad, but I appreciated the option.
97. Night in the Woods
RELEASED 2017 | LAST POSITION New entry
Phil Savage: A coming-of-age platformer starring an anthropomorphic cat returning home to a dead-end town after dropping out of college. On paper, Night in the Woods sounds like it could be intolerable, but its relationships are so well developed—so warm and fraught and human—that it’s impossible not to get drawn into Mae's world, and to want the best for her and her friends. I particularly love the frequent use of minigames as a way to highlight the need to escape the monotony of day-to-day responsibility.
Andy Kelly: A beautiful, heartfelt story brought to life by flawed, nuanced characters who just happen to be talking animals. It says something about life, but always knows when to crack a joke—and always with perfect timing—when things get too heavy.
96. Deadly Premonition: The Director's Cut
RELEASED 2013 | LAST POSITION New entry
Philippa Warr: Deadly Premonition is always a gamble of a recommendation. It's a gamble worth taking, though, because if you get on with its strangeness and its idiosyncrasies, it rewards you with a weird and beautiful experience of a kind you don't often get in gaming. Yes, the cars handle horribly. Yes, the PC version has crashed on me extensively. Yes, it starts off more as an irritating pastiche of Twin Peaks. Yes, it has frustrating quicktime events. And yes, some reveals draw uncomfortably on lazy tropes. But within that is a supernatural-tinged mystery that alternates between survival horror third-person shooter and a horror comedy investigation. None of the game's shortcomings were dealbreakers for me and several of the characters I encountered as I hunted for the Raincoat Killer have stayed with me for the best part of a decade.
Wes: The jank may be part of the charm, but at least make sure you install Durante's DPFix, which lets you select resolutions above 720p and fixes many minor graphical issues—mitigating some of the PC port’s shortcomings.
95. Stick Shift
RELEASED 2015 | LAST POSITION New entry
Pip: Stick Shift is my go-to example of a game which invokes complex subject matter while also being really fun to play. As per developer Robert Yang's description: "Stick Shift is an autoerotic night-driving game about pleasuring a gay car." It's part of a trilogy alongside Hurt Me Plenty and Succulent, and together they explore aspects of eroticism, consent, arousal, politics and more. It's also a game where you move your mouse rhythmically, working your car to a climax.
94. Elite Dangerous
RELEASED 2014 | LAST POSITION New entry
Phil: Frontier's galactic sandbox treads a fine line between excitement and tedium. Aliens! Dogfights! Smuggling! Interdictions! Ferrying pesticides to an outpost six lightyears away! However you decide to play, though—whatever amount of excitement you desire—Elite is still a masterfully crafted spaceship simulator. I love the design and feel of its ships, particularly the holographic UI and peerless sci-fi sound design. The thrill of warping to another solar system is never entirely diminished, meaning Elite remains entertaining even if you’ve chosen the life of a glorified space trucker.
Andy: Whether it's a chunky cargo hauler or a nimble fighter, every starship in Elite has its own distinct personality. They're all a delight to fly. Even the most mundane task feels wonderfully tactile.
93. Ni No Kuni 2: Revenant Kingdom
RELEASED 2018 | LAST POSITION New entry
Andy: While the original Ni no Kuni was co-designed by Spirited Away creator Studio Ghibli, it wasn't involved in this sequel. But developer Level-5 has done fine on its own, creating a rich fantasy world with a cast of vivid characters worthy of the Ghibli name. This is a sweeping JRPG about an usurped boy king on a quest to rebuild his kingdom and reclaim his throne. It's also one of the most colourful, vibrant games on PC.
Wes: The cutscenes are remarkably Ghibli and full of pep and puns, but what really made me fall for Ni No Kuni 2 is just how many systems it layers atop systems, like a big-budget JRPG of old. The sprawling kingdom builder is the centerpiece, with characters to recruit and buildings to construct and upgrade.
92. Mu Cartographer
RELEASED 2016 | LAST POSITION New entry
Pip: Mu Cartographer is initially obtuse. You'll probably feel utterly lost as to what you’re supposed to do for a while. But once you start tinkering with all the different buttons and dials on the interface you begin to see how to explore the strange map. The peaks and troughs of digital noise on your display suddenly turn into recognisable shapes as you tweak the settings and find the sweet spot. Stepped pyramids rise up where seconds ago all you could see was a fuzzy mess.
91. Guild Wars 2
RELEASED 2012 | LAST POSITION 86
Phil: Guild Wars 2 is full of clever quality-of-life features—it's still one of the few MMOs that's figured out how to let you easily play with friends of a different level. The flow and pace of its maps are a thing of beauty, too. Groups expand and contract naturally, as people wander off to explore on their own, before coming together for a small-scale event or organising to complete a single map-wide objective. You get all the joy of cooperation without the need to commit a significant amount of your time. Just turn up and play. Then, when you eventually get tired, go off and do something else. There's also no subscription, and none of the expansions have raised the level cap, so you're free to come and go as you please, playing at your own pace without ever worrying that you're falling behind. You can play for hours every week if you want—ticking off the hardest achievements and earning the rarest loot—but I'm happy to log back in every six months or so, safe in the knowledge that I'm ready for whatever's next.
Tom: I have fought huge dragon bosses and a marionette the size of a skyscraper, and I didn't need to grind for 200 hours for the privilege. Guild Wars 2 earnestly tries to reinvent the MMO by reshaping the bullshit grinding and levelling systems that had become rote in the genre.
90. Super Mega Baseball 2
RELEASED 2018 | LAST POSITION New entry
Wes: I'm about as bad at this surprisingly deep baseball game as I am at real baseball, but as a lapsed fan of America's pastime I appreciate how good this rendition is. It walks the line between a hyper-detailed sports sim and an arcadey NBA Jam-like, with simple controls but tons of nuance in pitching and hitting.
Chris Livingston: The customization is great, letting you change everything from player abilities to team logos, and its Pennant Race mode makes every online game feel important.
89. The Stanley Parable
RELEASED 2013 | LAST POSITION New entry
Samuel Roberts: You start in an abandoned office with a narrator telling you what you're supposed to do next. If you obey his instructions it will lead you to an ending. But if you don't, you'll discover many more fascinating, exciting little stories.
Phil: An antagonistic dialogue between a man with no body and another with no voice. Weird, funny and full of ideas.
Pip: Games often struggle with comedy. The Stanley Parable manages to be consistently funny as well as whip smart.
88. Drawful 2
RELEASED 2016 | LAST POSITION New entry
Wes: A chill, surprisingly hilarious party game I can play for hours. Everyone joins in on a smartphone and gets a phrase to draw on the touchscreen, then writes their own descriptions of everyone else's drawing to trick the crowd or simply get the most laughs. It's like millennial Pictionary, so inevitably people draw a lot more dicks.
87. Nidhogg 2
RELEASED 2017 | LAST POSITION New entry
James Davenport: The back-and-forth struggles of Nidhogg were already unpredictable, but bows, axes, swords, and daggers transform simple fencing standoffs into tense, sweaty battles for control. Nidhogg 2 is an excellent way to graft friends to the couch.
Evan: A see-sawing melee mess. No PC game produces more smile-yelling than Nidhogg 2.
86. Stephen's Sausage Roll
RELEASED 2016 | LAST POSITION New entry
Pip: Stephen's Sausage Roll and I are on a break. I can't remember exactly why, but I know that I definitely rage-quit the sausage-grilling puzzler a while ago and haven't become sufficiently not angry to go back. That isn't a criticism, though; this is the puzzle game I recommend to the friends who want a real challenge.
Phil: I managed one level.
85. Battletech
RELEASED 2018 | LAST POSITION New entry
Evan: It's turn-based MMA with walking tanks. Unlike XCOM 2, the durability and modular design of mechs makes for drawn out, back-and-forth exchanges that become micro-stories of attrition and mettle. You trade blows with an Atlas, weave and evade it, it cleaves off one of your body segments, you circle around, knock it down and KO it with a face stomp. I love BattleTech's degrees of failure. You might complete all objectives but lose your rare, damage-boosted PPC, put a pilot in a two-month coma, or have to spend every nickel you just earned fixing up your battered Highlander. The campaign wrapped around BattleTech's granular combat is a bottomless well of procedurally generated missions with a heartwarming story of underdog regal revenge at its nucleus.
84. Football Manager 2018
RELEASED 2017 | LAST POSITION New entry
Joe Donnelly: Following some less comprehensive annual instalments, Football Manager 2018 gives us the most sophisticated soccer management simulation yet, where success is no longer determined by match performance alone. Piss off the wrong combination of players, and you'll risk a dressing room revolt. Suck up to the most popular, and you'll isolate your fringe stars. You need to balance influence and social standings to prevent the beautiful game from turning ugly.
83. Thumper
RELEASED 2016 | LAST POSITION 34
Pip: I don't think many people can consciously identify a 'fast-moving rhythm action space beetle combat game with a heady metal album aesthetic' void in their lives. But it exists and Thumper can fix it.
Phil: The dark, grungy synths and unusual time signatures create a fascinatingly ominous soundscape that draws you into the claustrophobic, reactive action. Thumper offers a mesmerising blend of palpable dread and empowering mastery—at least it did for me until the later levels, which required a degree of dexterity I'm not sure I possess.
James: That scarab scrapes down the interdimensional highway at the centre of Thumper with so much speed and ferocity that the game almost literally breaks apart by the end. Nod your head to dull the pain.
82. Euro Truck Simulator 2
RELEASED 2013 | LAST POSITION 89
Andy: The problem with simulators is that they're often badly designed, technically janky or both. But Euro Truck Simulator 2 is neither of these things. This is a deep, polished, and immensely playable driving game set in a vast, mostly accurate replica of Europe. You can drive seamlessly between countries, and there's an understated beauty to the scenery that passes you by. It's also incredibly atmospheric, especially at night or in the rain. There's no better game to play while listening to music or catching up on podcasts, and it's deeply customisable too, meaning you can make each road trip as realistic or accessible as you like, depending on how deep you want the simulation to be.
Phil: In many ways I prefer American Truck Simulator. That's not because I love weigh stations—they're fine, if that's your thing—but because America's vast, terrifying emptiness feels more isolated, more epic, and, dare I say, more romantic. Euro Truck Simulator 2, on the other hand, is dense and busy, but also muted—it's altogether greyer and more moodily atmospheric. Both games are fantastic, and which one you prefer is likely a matter of which style of road trip speaks more to your personality. How many simulation games can you say that of?
81. FTL: Faster Than Light
RELEASED 2012 | LAST POSITION 21
Samuel: It turns out being the captain of your own spaceship is stressful as hell, but you'll take part in some great stories along the way. FTL is a superior mix of roguelike and strategy. While Into The Breach is taking its place in my life, this is still one of the best space-set games around.
Wes: It can make for a great party game, too. Put someone in the driver's seat and let the crowd make choices. Suddenly half your ship is on fire and you've accidentally vented one of your crew into space.
80. Stalker: Call of Pripyat
RELEASED 2010 | LAST POSITION 41
Chris: This grim and unforgiving open world FPS never turns you into an invincible superhero. No matter how much gear and weaponry you scrounge from the irradiated exclusion zone, you're still mortal and fragile, alone in a terrifying world of mutants, monsters, and roaming factions of AI-controlled humans. This lends Stalker an unending tension and fills every encounter with dread. From start to finish, there's a sense that at any moment you could meet your unceremonious end.
79. Doom 2
RELEASED 1994 | LAST POSITION 76
Wes: People are making mods and maps for this game like it was released a year ago. That's awesome. But what really strikes me about Doom 2 is how fun it still is, and how different it feels from decades more advanced shooters. There's a purity in how it moves, how it sounds and the minimum frames of animation it takes to sell firing the super shotgun.
78. Grim Fandango Remastered
RELEASED 2015 | LAST POSITION 96
Pip: Twenty years after its initial release it's still a real pleasure to revisit the film noir world of Manny Calavera, travel agent of the afterlife. Nowadays I play purely for the story so I keep online hints at hand for when progress stalls.
Tom Senior: Shout out here to Glottis, the giant orange demon who's too big and happy to quite fit into the world he’s in.
77. Warhammer: Vermintide 2
RELEASED 2018 | LAST POSITION New entry
Samuel: There's a long tail to Vermintide 2 if you're willing to stick with this four-player Left 4 Dead-alike set in the Warhammer universe. It looks prettier than the first game, offers more in-depth character progression, and has much better combat.
Phil: It feels really good to stab up a rat, and if that's not worth a spot on this list, I'd love to know what is.
76. Oxenfree
RELEASED 2016 | LAST POSITION New entry
Samuel: This spooky adventure game has a group of young friends inadvertently unlock a supernatural force on a haunted island. The relationships and various tensions between all the characters feel very real, and the dialogue is funny and poignant. These characters feel like they could've been people I went to school with.
Phil: The snappy, fun dialogue makes Oxenfree feel more theatrical than realistic, but that fits perfectly with the eerie mystery and interpersonal drama.
75. Regency Solitaire
RELEASED 2015 | LAST POSITION New entry
Pip: I added Grey Alien's card-game-slash-Regency-romance to our Top 100 discussion list, then reinstalled the game and spent three hours of the Top 100 discussion playing this in the background. I'm fighting the urge to play it again now instead of finishing this incredibly short paragraph about why it's good. The solitaire aspect is really strong, it's super easy to play just one more round, and the story is light but charming. Are we done? Can I boot it up again?
74. Metro: Last Light Redux
RELEASED 2014 | LAST POSITION 95
Tom: Not many shooters have you frantically pumping up a pneumatic gun before you can fire it, but that’s Metro for you. These ramshackle weapons carry you through a filthy, atmospheric corridor shooter set in the depths of the Moscow undercity. The tunnels hide mutant creatures and nests of horrible spidery things, but the most dangerous enemies are the human clans trying to scrape out a living in the post-apocalypse.
Samuel: A beautiful and grim FPS that's refreshingly bleak for a modern triple-A game. The world building in Metro: Last Light is dazzling to me—the little snapshots of human civilisation that show how there are children in these underground settlements who never knew the world before it got into this bleak, decrepit state. And the story features some unforgettable moments, such as an early flashback that shows—from the perspective of the pilots—how a passenger plane was destroyed in the nuclear blast. It's a chilling world that's hard work just to exist in, but I love that it's a post-apocalyptic setting that doesn’t succumb to the desire to over-stylise anything. It commits to showing the horrors of what a nuclear war would do to the modern world, and I'd recommend it to absolutely anyone.
73. Final Fantasy 14: A Realm Reborn
RELEASED 2014 | LAST POSITION 40
Steven: Square Enix's from-the-ashes MMO enjoyed another stellar year following the release of Stormblood, a revolution-themed expansion that whisks players across the sea to Eastern-inspired worlds that add much richness to an already great story. Though its endgame has become a predictable grind at this point, Final Fantasy 14 is still able to keep things exciting thanks to the steady pace of new bosses, dungeons, and raids to clear. Each one is just as memorable as the last thanks to a stunning soundtrack and beautiful world design.
72. The Norwood Suite
RELEASED 2017 | LAST POSITION New entry
Pip: Cosmo D's first-person jazz hotel exploration has you poking around a converted mansion and uncovering the secrets of its former owner, celebrated pianist, Peter Norwood. Musicality shapes the whole experience, warping the space and affecting the denizens. As you dig around you'll also discover the game's sense of humour via visual gags and surreal chats with guests and visitors. For a related experience you should also check out the developer’s free game, Off-Peak.
71. Mount & Blade: Warband
RELEASED 2010 | LAST POSITION New entry
Evan: Mount & Blade: Warband is what we so often clamour for: an RPG where you're not an intergalactic savior or chosen one, but just some dude leading a small army on a sprawling, simulated map filled with other dudes leading other armies. It's sandbox in the truest sense, and the feeling of loosing an arrow into a line of galloping cavalry still holds up.
Phil: You start with nothing: left for dead in a town with few weapons, no supplies and barely any gold. From such inauspicious beginnings, you're free to do just about anything. Hunt bandits, befriend lords, rob pretty much anyone. Or, if you don't fancy leading hundreds of soldiers, just go fight for prestige in the arena. We've been waiting years for Mount & Blade 2, but Warband still has much to offer.
70. StarCraft 2
RELEASED 2010 | LAST POSITION New entry
Andy: Across its three campaigns, StarCraft 2 boasts some of the best, most cinematic single-player RTS missions on PC. New challenges are constantly being thrown at you, forcing you to try new units and tactics, and the story isn't bad either. When you're done with all that, you can take your newfound skills online, which still has a huge and dedicated following. There's a bottomless pit of tips, tutorials, and strategies online, meaning new players have a decent chance of catching up.
69. Galactic Civilizations 2
RELEASED 2011 | LAST POSITION New entry
Tom: Maybe a game like Stellaris will knock this classic spacebound 4X strategy game out of the Top 100, but not this year. It's hard to beat a game that's so smart and complete, and that can generate so much strategic intrigue with every campaign. The AI is so cunning that former PC Gamer staffer-turned-developer Tom Francis once wrote an entire book about one of his attempts to thwart it. Singleplayer games don't get much deeper than this.
68. Prison Architect
RELEASED 2015 | LAST POSITION New entry
Chris: There's an engrossing amount of depth to the management simulation of Prison Architect, where building a workshop for inmates to make license plates doesn't mean they'll just walk in and begin working. First they'll need training, which requires classrooms, which require instructors, who require work and class schedules and their own facilities. Oh, and metal detectors to make sure the inmates don't smuggle out tools to use as weapons against guards or other inmates, or to tunnel under the walls of your prison. It's not easy building and managing a small city where most of the population is plotting escape.
Andy: I love it when things go to shit in management sims, and Prison Architect is enormously fun to watch (and manage) when disaster inevitably strikes. A streak of black comedy runs through the game, and there's something darkly hilarious about a riot erupting—these cartoonish little characters shivving each other, starting fires and beating up guards. Something as simple as a fight in the canteen can be the flashpoint for a full-scale riot, and trying to suppress it safely and quickly is a real test of skill. But that doesn't mean you can't have some fun observing the chaos before rolling your sleeves up and stepping in to deal with it.
67. Ori and the Blind Forest
RELEASED 2015 | LAST POSITION 62
Pip: An adorable Ghibli-esque aesthetic—particularly the opening cutscene—gives way to a rock hard Metroidvania platformer. Your eyes are as likely to tear up with emotion as they are with absolute fury if you fail a boss one too many times.
Tom: It looks like sugar but tastes like salt. Ori is not the moonlit animal paradise it appears to be at first glance. It’s a game about loss, revenge, and bastard-hard jumping challenges. The art is absolutely gorgeous. It's a hazy, dreamlike world of artfully twisted overgrowth and spike pits. The movement is so quick, precise and responsive I just want to squeeze it, even as it stabs me repeatedly in the heart. Approach with caution and keep some hankies and a swear jar within reach.
66. Frostpunk
RELEASED 2018 | LAST POSITION New entry
Chris: A survival and crisis management sim about building and sustaining city in a frozen world. In addition to providing food, warmth, and shelter to your citizens, you have to provide them something much trickier: hope for the future. That's immensely difficult when people are starving, freezing, and working themselves to death under your direction, and the choices you face are grim ones that never leave you feeling like a hero, even when things work out. Frostpunk is a game that asks two questions: 'How far are you willing to go to save lives?' And, 'No, really, how far are you willing to go?' It's a masterful exploration of the burden of leadership, the true costs of survival, and the balancing act between guiding your citizens and controlling them.
65. Diablo 3
RELEASED 2012 | LAST POSITION 30
Tom: 'Maybe I should start another Crusader run': seven words that could take up 60 hours of my life. Diablo 3 is still a stellar action RPG that has only become more generous year on year after its unsteady and controversial launch. The necromancer is a fantastic addition that calls back to Diablo 2 without nostalgically retreading the same ground. If you want to smash up thousands of monsters for gold and loot, there aren't many games that do it as well as Diablo 3.
64. Bayonetta
RELEASED 2017 | LAST POSITION 32
Samuel: A superb hack-and-slash game that rewards mastery with feeling like a badass. It's pretty much the first place I'd send anyone new to this genre of game that has its modern roots in Capcom's Devil May Cry series. This, from that game's creator, is funny, stylish and satisfying to learn. Its sequel, which Nintendo published, doesn't come close to matching the original. The range of weapons here fits together perfectly.
Phil: The fast-paced combat is yet to be bettered, and the world and story are equal parts stylish and absurd.
63. Crypt of the Necrodancer
RELEASED 2015 | LAST POSITION New entry
Pip: The rhythm combat in this game is so polished that I love it even when it's at its most stressful. You have to move on every beat or risk losing your cash multiplier, which means there's no downtime to plan your next move. Is a multiplier all that important, you ask? "Oh," I reply, "Only if you want to keep being able to afford new items at the shop where the amazingly catchy soundtrack is suddenly given an EVEN MORE AMAZING operatic flavour thanks to a singing shopkeeper called Freddie Merchantry."
Wes: This would be a great roguelike in its own right, but it's almost unfair how cleverly the musical element is threaded through exploration and combat. Try dungeon dancing to your own music for a new challenge.
62. Sunless Sea
RELEASED 2015 | LAST POSITION 75
Pip: I bounced off Sunless Sea so hard when it first came out—I remember clunky combat and irritating resource grind as core objections. Returning to the game with the Zubmariner DLC I found myself well and truly suckered in—devoting hours to pottering away in the Unterzee, drinking in Failbetter's expert prose and luxuriating in the art style. Sunless Skies is shaping up to be another step forward so I'm singing Sunless Sea's praises now, lest seas be eclipsed by skies in the near future!
61. Baldur's Gate 2: Enhanced Edition
RELEASED 2013 | LAST POSITION 48
Tom: Baldur's Gate 2 is still a magnificent achievement. Few RPGs since have been as broad, deep or fully featured as this sprawling classic. Pillars of Eternity and other games are steadily bringing the classic RPG back to prominence, but Baldur's Gate 2 is still very much worth playing today, and is still one of the most faithful videogame interpretations of D&D's Forgotten Realms setting. It's a great party RPG too. Few modern games would be brave enough to implement a morality system that causes party members to fall out with you and leave the party—the closest you might get is Wrex's rebellion in Mass Effect. While we all remember Minsc and his space hamster companion Boo, the roster went much deeper and accurately reflected the spread of D&D classes, from lawful good paladins to chaotic neutral thieves.
Phil: After the slightly too long tutorial dungeon, Baldur's Gate II hits the ground running, setting you loose in the massive city of Athkatla to earn money to fund the next leg of your journey. It’s a great way to encourage you to explore the city, seeking out its stories and adventures.
60. Fez
RELEASED 2013 | LAST POSITION 67
Phil: A vast, beautiful mystery that's equal parts intriguing and relaxing, Fez is a puzzle-platformer that forgoes enemies and peril, instead offering a pleasant adventure about a strange world full of questions to answer. At its most basic, you rotate between four 2D planes, shifting the world in order to create a path to the next door. But over the course of the game, you'll solve riddles, uncover secrets, and even decode languages. Fez is a tantalising puzzle box just waiting to be unlocked.
59. 80 Days
RELEASED 2015 | LAST POSITION 37
Samuel: Take a journey around a steampunk-infused world as Passepartout, Phileas Fogg's indispensable assistant. Then, whether you succeed or fail, take the journey again and again, and see all the places and stories you missed the first time around. 80 Days is almost entirely dependent on great writing and little bits of art, and it's enough to bring the entire world to life. While it feels made for mobile, you should definitely pick it up on desktop if you've never played it.
58. Final Fantasy 12: The Zodiac Age
RELEASED 2018 | LAST POSITION New entry
Tom: This feels like the most PC-friendly Final Fantasy to me. Like the rest of the games in the series, it's a beautiful big RPG with a cast of characters that span from annoying (Vaan) to awesome (Balthier). This entry is the only one with the excellent gambit tactics system, which lets you program your party's AI to blitz dungeons and bosses with satisfying efficiency.
Samuel: You can fast-forward this version of the game, too, giving the combat the pace and catharsis it desperately needed back when it came out on PS2.
57. Hexcells Infinite
RELEASED 2014 | LAST POSITION New entry
Pip: This is the third game in Matthew Brown's hex-grid logic puzzler series, and it's the best of the bunch. The 'infinite' part of the title refers to the fact that it can generate infinite puzzles if you want to keep playing. But the real joy, and the reason I keep replaying it, is the set which Brown has hand-crafted. Absolute puzzle bliss.
56. Homeworld Remastered Collection
RELEASED 2015 | LAST POSITION New entry
Tom: The saddest spaceships in games must travel the galaxy looking for a new home in Relic's classic RTS. If you love brain-scrambling 3D battles then this is the only strategy game that really delivers. Deserts of Kharak is excellent too, but I'd sooner play a game bold enough to deploy Adagio for Strings in a scrap.
55. Dota 2
RELEASED 2013 | LAST POSITION 54
Pip: I have spent north of 2,000 hours in this game. You do not need to know how much money I have spent in this game. But that investment, both temporal and financial, was because this MOBA continued to reward me. There's a rich esports scene, a daft and creative community, the ability for friendships to blossom and for groups of players to cross pollinate as friends of friends move in and out of your teammate invite list. I only stop by occasionally now, but Valve continues to offer interesting updates. Turbo mode is my favourite addition in recent times, not least because it affords newbies a space where they can try characters out without as much pressure as a normal match.
54. PlayerUnknown's Battlegrounds
RELEASED 2017 | LAST POSITION 25
Samuel: It's a phenomenon I'd recommend trying to anyone who plays on PC, even if they bounce off it. That tension of landing in this world and seeing what plays out is an experience everyone should have. Evan put it best last year, so allow me to repeat it here: "it compresses the time and space that survival games like DayZ give you, forcing you into contact with other players and out of your comfort zone."
Andy: I play PlayerUnknown's Battlegrounds as a stealth game, moving carefully between cover, keeping out of sight, biding my time. But the thrill here is that the 'guards' are real people, which makes sneaking under their noses even more exhilarating.
53. Deus Ex
RELEASED 2000 | LAST POSITION 23
Tom: This one has slipped down the list this year, largely because in recent times we've seen developers pick up the immersive sim baton and run with it—see entry number two in this list for the results. Deus Ex is still a classic, though. Even though the visuals, UI, dialogue and sound design seem more creaky each year, the scope for experimentation and emergent player-authored action is still impressive.
Phil: It's creaky for sure, but Deus Ex's freedom still feels remarkable, as does its level of respect for the player. Most games feel compelled to clearly flag when you’re about to make a narrative choice that might have a consequence. But Deus Ex thrusts you into a paranoid world where everyone has an agenda and every command should be questioned.
52. Fallout 4
RELEASED 2015 | LAST POSITION New entry
Samuel: I'd recommend all of the modern Fallout games to someone who’s never played them for various reasons, and this, in essence, represents that entire era of the series on our list (we were very close to including the original Fallout, too, but ultimately stuck with our one per series rule). New Vegas is the best for reactive storytelling, Fallout 3 has my favourite side quests, and Fallout 4 feels the most refined when it comes to combat, presentation and world design. Even if the choices towards the end didn't produce outcomes I was happy with, I loved journeying around that world with Nick Valentine and Piper. And taking on the role of pulp-style hero The Silver Shroud represents my favourite superhero experience in any game.
Evan: There's nothing quite like Fallout's setting. Its cynical, post-apocalyptic, Atomic Age sci-fi is dripping with black humour and absurdity. I'm grateful that something so esoteric continues to get the big-budget treatment.
Phil: We're big fans of immersive sims at PC Gamer, and yet I love Bethesda's RPGs for being practically the opposite. Fallout 4 lets you be a silent stealth killer who wears a giant suit of power armour—not because it makes sense within the world, but because it makes sense within the underlying systems. It's an anti-immersive sim, offering satisfying freedom in how you build your wasteland wanderer.
51. Stardew Valley
RELEASED 2016 | LAST POSITION 22
Andy: A miserable office worker inherits a farm and starts a new life in the idyllic Stardew Valley. This Harvest Moon-inspired farming sim is pleasantly freeform and lets you live the way you want to, whether that's just lazily growing a few crops here and there, or starting a ruthlessly efficient mayonnaise empire.
Bo: Stardew Valley is everything I ever wanted out of Harvest Moon, but unchained from Nintendo's puritanical approach to content.
50. EVE Online
RELEASED 2003 | LAST POSITION 44
Tom: It's obtuse, and it takes a lot of time and effort to become properly mixed up in the corporations that drive EVE Online's greatest dramas, but I have taken a lot of pleasure in hopping into a vessel and mining for a few hours, quietly turning in a small profit and enjoying the vibe of EVE's cosmos. It looks beautiful stretched across two monitors, and if I do find myself yearning for the grand stories of war and betrayal, I can always read about them later in PC Gamer.
49. BioShock
RELEASED 2007 | LAST POSITION 17
Samuel: While as a shooter it's far from best-in-class these days, exploring the different parts of this underwater world and learning its story is an experience no other game has matched for me.
Andy: Rapture is still one of the most atmospheric settings on PC, letting you explore a bizarre, broken society in a state of fascinating decay.
48. Warframe
RELEASED 2013 | LAST POSITION New entry
Steven: Digital Extremes' cooperative loot shooter quietly became one of the best free-to-play games and people are only just now catching on. In the years since its rocky release, Warframe has grown into a deeply satisfying and complex online game with thousands of hours worth of quests to complete and gear to farm.
47. Darkest Dungeon
RELEASED 2016 | LAST POSITION 83
Evan: Even as DLC has made it a bigger experience, I continue to value Darkest Dungeon's focus. It's an intimidating game for all the right reasons: difficulty, uncertainty, risk and reward. The audio and combat camera effects deserve an award for how they make fights between illustrated paper characters feel like Eldritch kung fu.
46. Opus Magnum
RELEASED 2017 | LAST POSITION New entry
Tyler: Solving an Opus Magnum puzzle isn't satisfying the first time. You build an alchemy machine with tracks, rotating arms and flowchart instructions—producing gold from lead, for instance. Your sloppy contraption may look beautiful in motion, but how could you move on to the next challenge when your friend solved the same problem more elegantly? That quest for perfection is deviously engrossing. Few puzzle games feel so good to finally master.
45. Planescape: Torment: Enhanced Edition
RELEASED 2017 | LAST POSITION 60
Andy: The Enhanced Edition of Torment is currently the best way to play this supremely weird RPG on modern PCs. You play as an immortal being with amnesia, trying to piece his past together. The writing is the star here, bringing Dungeons & Dragons' Planescape setting to life in exquisite, wordy detail. Think of any RPG convention and Torment will subvert or twist it in some fascinating way, and the characters who join your party along the way are truly strange.
44. Civilization 5
RELEASED 2010 | LAST POSITION New entry
Tyler: I vacillate between them, but even though I like Civ 6's city districts, Civilization 5 with all the expansions is still the evening destroyer I'd recommend. I wish the series would reexamine its assumptions about the world and make more radical changes in the future, but for now, Civ 5 is still the standard bearer for turn-based empire building: complex enough not to become too rote, but accessible enough for just about anyone who enjoys rewriting history.
Evan: I prefer Civ 6—it's shallow, but I need my 1440p boardgames to look as pretty as possible, and the expressive, animated leaders of Civ 6 add a lot. But the fact that there's still a debate between the two is an endorsement of Firaxis' approach to putting meaningful new spins on one of PC gaming's longest-standing, most celebrated genres.
Andy: In all the time I've played Civ 5, I've never actually won a game. And so it's a testament to just how compelling and accessible its strategy is that I keep coming back, trying new tactics and shaping my civilisation in new and interesting ways. It's the journey—taking my people from humble beginnings to advanced empires—that I really enjoy. The destination ultimately isn't that important.
43. Invisible, Inc.
RELEASED 2015 | LAST POSITION 50
Tom: This turn-based tactics game has you controlling a squad of superspies in missions to knock out guards and steal data before the alarms detect you. I love Klei's angular art, and it's miraculous that the team were able to build such a tight and nuanced tactics game with procedurally generated offices. As with Into the Breach, Invisible, Inc. gives you tons of information about what's going on with enemies. You can see their sight lines clearly and judge their intentions. Your main decisions come down to your use of power points to hack systems. You can disable alarms or unlock doors to access tantalisingly placed upgrade terminals. Do you grab your objective and flee before security arrives, or take a gamble for an upgrade that might make future missions a lot easier?
42. Overcooked
RELEASED 2016 | LAST POSITION 77
Evan: Pure co-op calamity with a deceptively cheerful art style. You will never yell "I need lettuce!" with more anger and urgency.
Samuel: So enjoyable to pick up, then appallingly difficult to master as you chase those three star ratings. If only I could take it less seriously—me and my partner had to stop playing because I was treating it like a part-time kitchen job. "Plates, plates, PLATES!"
Phil: It's like if the TV show Hell's Kitchen was a game—swearing and all.
41. Super Hexagon
RELEASED 2012 | LAST POSITION New entry
Jody Macgregor: Terry Cavanagh of VVVVVV fame's twitchiest game, Super Hexagon makes you a triangle trapped in pulsing, multicoloured hexagons, dodging through gaps in spinning walls at high speed. It's the definition of easy to learn and bloody impossible to master. I used to think hexagons were fine. Perfectly respectable shapes. Maybe not as fun as parallelograms, which are basically drunk rectangles, but pretty good overall. Now I've played Super Hexagon I hate them. They give me a rash. Terrible shapes. To hell with hexagons.
Phil: Before writing this paragraph I fired up Super Hexagon for the first time in five years, and after only a few tries I was already pushing up near my best times. This is the kind of game that sears itself into your subconscious; burrowing deep down into your muscle memory just waiting for you to return. As a shortform arcade game it's practically perfect—a pulsating, rotating, constantly shifting assault of shapes and sounds with an instant restart that has you back in the action before the voiceover can finish saying "game over".
40. Mass Effect 2
RELEASED 2010 | LAST POSITION 7
Samuel: The facial animations really date BioWare games, but Mass Effect 2 is still the best at showing darker, more interesting sides to its dense sci-fi universe. Plus it still has my favourite party of characters from a modern BioWare RPG. Maybe it's time for another trilogy replay.
Andy: The greatest ensemble cast in RPG history. The idea of recruiting the galaxy's most notorious warriors and criminals is a brilliant excuse to gather up a motley crew of weird, flawed, interesting people, and I cared about all of them.
39. Hearthstone
RELEASED 2014 | LAST POSITION 45
Tim: Hearthstone is in a funny spot. It's as gigantic as it's ever been, but with the departure of game director Ben Brode and the looming threat of Valve's Artifact, now would be a good time for Blizzard’s CCG to shake things up a little. The arrival of a tournament mode later this year may do that, but despite an atypically diverse meta, I've felt my desire to grind the ladder wane. Regardless, for now Hearthstone remains peerless in terms of the quality and polish of the experience.
38. Grand Theft Auto 5
RELEASED 2015 | LAST POSITION 12
Andy: GTA 5 is one of the most lavish singleplayer experiences you can have on PC, with impeccable production values, superb mission variety, and a wonderfully vibrant city. It's massive, but I've finished it three times—that's how much I love being in Los Santos. For me, Michael is Rockstar's best protagonist: a weary, slightly pathetic crook past his prime trying to make it in a world that’s left him behind.
Samuel: I change my mind about GTA Online every few months, but the fidelity of the world is unbeaten. I adore the original heists, and I've had a lot of fun playing the game with other people. I've seen those streets so many times now, though, and am desperate to play whatever comes next in the series. Or, you know, they could bring Red Dead to PC.
Phil: Whatever you think about GTA Online (relationship status: it's complicated), that first set of multiplayer heists are among the best co-op experiences you can have on PC. The way they divide your team of four into smaller groups, each performing a specific task that slowly draws everyone together for a single, action packed finale is—when you successfully pull it off—tense, exciting and memorable.
Joe: GTA Online is a shop window, and few games let you observe other players' wares with such impact. Seeing that new car, aircraft or chopper hurtling towards you makes you want it—which makes grinding to get it less of a chore.
37. Company of Heroes
RELEASED 2006 | LAST POSITION 56
Tom: It's Relic's best game and frankly still one of the best real-time strategy games ever made. Jumping into a skirmish against the AI, it holds up today as well as it did at launch, which is a testament to the quality of the art and sound direction, and the success of Relic's squad-based take on unit control. The expansions are decent, but I still relish the purity of Company of Heroes' asymmetrical core matchup. The US has a slight numbers advantage in the early infantry stages of a battle but the Axis forces can bring halftracks to the mid-game and elite tanks into the endgame. A few games have tried to imitate Company of Heroes over the years, but none have really come close.
36. Half-Life 2
RELEASED 2004 | LAST POSITION 11
Andy: Gordon Freeman awakes from stasis to find Earth transformed into a dystopian hellscape by an invading alien force. Valve's influential FPS is still fantastic, particularly its eerie, understated atmosphere. The Combine are genuinely unnerving antagonists, but they didn't anticipate going up against a mute physicist who can yank radiators off the wall and launch them at high speeds.
Chris: A linear FPS but one that makes you feel as if you're finding your own path through it, rather than being shoved along rails by the developers. And the gravity gun is still the most enjoyable multitool in games: perfect for solving physics puzzles, playing catch with Dog, using a metal door as a shield, or flinging a toilet into a Metrocop's head.
35. Devil Daggers
RELEASED 2016 | LAST POSITION New entry
Jody: FPS design often copies the Halo idea of a single, repeatable loop of fun, but Devil Daggers really boils it down. Here the loop is backpedalling in an arc while shooting daggers at nearby enemies, clearing enough room to aim at the weak spot of a distant, tougher enemy, then spinning around to take out the skull-face jerk sneaking up behind you. It's just you and infinite bastards to shoot. Perfect.
Evan: If you die and don't go to heaven or hell, you play Devil Daggers until you win.
34. Forza Horizon 3
RELEASED 2016 | LAST POSITION 29
Phil: A gloriously silly arcade playground that takes the Forza Motorsport series' deep love of cars and customisation and transports it into a vibrant, luscious world full of ridiculous races and entertaining off-road mayhem. Forza Horizon 3's best feature is the skill chain system, which transforms an otherwise basic drive between events into a challenge to string together stunts without crashing.
Andy: Driving pretend cars doesn't get any better than the Forza series, and Horizon brilliantly softens the simulation while still maintaining a feeling of weight and realism.
Evan: All racers should be set in Australia.
33. The Elder Scrolls 5: Skyrim
RELEASED 2011 | LAST POSITION 26
Andy: Skyrim remains one of the most evocative settings on PC. It's not as big as some game worlds, but the varied biomes—from the bubbling hot springs of Eastmarch to the snow-battered coastline of Winterhold—make it feel much bigger than it is. The role-playing is shallow and the writing isn't great, but the sense of place and feeling of freedom make up for it. Picking a direction, going for a wander, and seeing what you'll find out there among the snow and ice is The Elder Scrolls at its most captivating.
Chris: You can finish (or completely ignore) the main story and still have a couple hundred hours of self-guided fun—especially by adding mods to the mix. Skyrim gives you a special kind of freedom seen in few RPGs.
32. Proteus
RELEASED 2013 | LAST POSITION New entry
Pip: If this was Pip's Top 100 Proteus would be in the number one spot. It's a contemplative experience where you wander a procedurally generated island, delighting in what you find. I often find myself drifting back to it in moments of stress, treating myself to a short digital holiday. One time I forgot I'd tweaked the game files and accidentally turned everything red, so that was a surprise. Seas of blood. But if you don’t make seas of blood it's gloriously restful!
31. Crusader Kings 2
RELEASED 2012 | LAST POSITION 52
Phil: Crusader Kings 2 isn't just a grand strategy about medieval kingdoms. It's a grand strategy about the people in charge of those kingdoms. You're not the abstract concept of the country of France; you're the King of France, a 60-year-old man who, after a protracted battle against the rebellious Duke of Burgundy, is now on his deathbed, about to leave the fate of his dynasty to an idiot son. You're not the ever-expanding territory of the Holy Roman Empire; you're an increasingly deranged emperor who people think has been possessed by the devil. By generating stories about people, Crusader Kings II is an endlessly fascinating soap opera that's different every time. In my last campaign, I didn't even play. I used the command console to simply observe the action, watching as an epic period drama played out across the map.
Chris: What's most interesting is how your relationships change when you die and continue playing as your heir. Those three children you had don't seem so wonderful once you've assumed the role of the eldest. The other two, while devoted to their father, now hate you and may plot against you. Your entire view of the world changes regularly, not just because the players change but because you yourself do, by dying and playing as someone new.
30. Portal 2
RELEASED 2011 | LAST POSITION 5
Chris: It should have been impossible to top the near-perfect Portal in comedy, storytelling, and physics-bending first-person puzzles, but Portal 2 somehow manages it, and even throws in some fantastic multiplayer on top.
Andy: Portal 2 brings a funny and sometimes disarmingly poignant story to its mind-bending puzzles, and the results are exceptional. Your journey through the various eras of Aperture Science make the game a constant delight.
29. World of Warcraft
RELEASED 2004 | LAST POSITION 59
Andy: Blizzard's long-running MMORPG simply refuses to die, and in fact seems to be getting better with every expansion. The most recent, 2016's Legion, brought in a swathe of quality-of-life improvements and some of the best questing in World of Warcraft's nearly 14-year history, making it worth playing all over again. It's still pretty grindy, especially compared to the more streamlined Guild Wars 2, but there are few online worlds this rich and storied to spend time in.
Tyler: Undertale subverts RPG cliches with constant self-reference, but unlike many 'parody games', it's not cynical or derivative. It plays on expectations without succumbing to them, with characters we’d love even without the metacommentary on game design, fandom, and authorship. Undertale is a great RPG even if you don't get every reference.
27. Fortnite Battle Royale
RELEASED 2017 | LAST POSITION New entry
James: Fortnite's battle royale mode started as a weak PUBG imitation, but an unprecedented update cycle has made it not just the best battle royale game, but one of the most fascinating games in development today. With map changes, new items, and one-off world events almost every week, Fortnite is endlessly entertaining to live in.
26. League of Legends
RELEASED 2009 | LAST POSITION New entry
Wes: Regular changes to the meta have kept League alive and on top for years. It’s still the best entry point for the MOBA genre.
Pip: I favour ARAM—a five-vs-five battle where randomly assigned characters let spells and punches fly across a single lane. I visit the pressure of the three lane Summoner’s Rift from a safe distance—as an esports spectator.
25. Cities: Skylines
RELEASED 2015 | LAST POSITION 82
Andy: While the most recent SimCity did everything it could to stifle creativity, Cities: Skylines gave players the power to make anything they want—in part thanks to the deep mod support. The result is the best city-builder around.
Samuel: The best game of its kind in a genre that people have enjoyed and will play forever, well supported by compelling expansions. Plus, you can destroy your city with meteors if you're having a dark day—like I did when I was mayor of Pipville several months ago.
24. Arma 3
RELEASED 2013 | LAST POSITION 55
Evan: Arma 3 stands alone as the highest-fidelity FPS, the best multiplayer story generator, and a bottomless trough of community missions and mods. You can play it with the utmost seriousness, with an add-on that lets you administer simulated CPR on injured comrades, or as a silly military take on Black & White with its Zeus DLC. It's no coincidence that Arma was the fertile terrain that produced the last two biggest trends in PC gaming: battle royale and survival games.
23. Her Story
RELEASED 2015 | LAST POSITION 19
Phil: You start with a police database open and the word 'MURDER' entered into its search field. Hit enter and you’re given four short video clips from a police interview. In one, the woman being interviewed says, "I didn't murder Simon." OK, let's search 'SIMON'. More video clips—more hints at a tantalising mystery that twists and changes as you unlock more of its parts.
Samuel: Probably the best mystery game ever made, because Her Story is over when you feel you've found the answer (or when you've discovered all the clips, depending on the type of player you are). It truly puts the drama of uncovering the truth in your hands, which is so hard for a game to do in any meaningful way. One of those games I would recommend to someone who has never played games.
Tyler: A fantastic performance that made FMV, for once, not cheesy.
Andy: A narrative game that really makes use of the medium. The mystery unfolds differently for everyone who plays it, which is a wonderfully original way of telling a story. What you think happened might be different to someone else’s interpretation, turning us all into unreliable narrators.
22. Total War: Warhammer 2
RELEASED 2017 | LAST POSITION New entry
Tom: Total War is a complex grand strategy series that fuses turn-based 4X-style empire-building with vast real-time battles. So far we've mostly seen the format used to explore historical scenarios, but it turns out the Warhammer universe is a perfect fit. For fans of the setting it's a joy to see each faction rendered so vividly, but I would recommend Total War: Warhammer 2 to any strategy fan regardless of your Warhammer knowledge. If you want to command a traditional army, the Empire is there for you. If you want something more adventurous, you don't need to know much about the undead Tomb Kings to enjoy sending hordes of skeletons after magical relics. The sequel's campaign is brilliant. Four factions fight for control of a big magic vortex in the middle of the map, which keeps the campaign interesting all the way into the endgame.
Jody: Replay that campaign and eventually you'll see behind the curtain, but what makes it worth replaying is the factions. Warhammer 2 gets its factions right in ways that should please all but the fussiest fans, even though they're a diverse collection of uptight magic elves, dinosaur-riding lizards, sneaky rat bastards, and "we're really into leather" sex dungeon kink elves. That's no easy feat.
21. The Sims 4
RELEASED 2014 | LAST POSITION New entry
Pip: The latest instalment of the long-running life sim has absorbed many hours of my life as I generate idiotic stories starring my beloved cast of citizens. Four years after release it's at the point where features missing at launch have been patched in (toddlers! pools!) and you can use the glut of expansions, game packs and stuff packs to tailor the game to your playstyle. I'd like to see the pricing model better support people who dip in and out, but overall there's still no other game like it.
20. Counter-Strike: Global Offensive
RELEASED 2012 | LAST POSITION 49
Evan: Valve's half-hearted updates dented its ranking this year, but CS:GO remains the purest team FPS on the planet. Every round is a joust of plays, counters, and outmaneuvering, where a smart flash or reflex AWP pick shifts the balance. You can spend a lifetime improving your grenade technique, your de_inferno mid push, your eco round playcalling. It'll never be enough. Each gun is a wild animal with its own unique spray pattern and tendencies that can take dozens of hours to learn.
19. Rocket League
RELEASED 2015 | LAST POSITION 16
Tyler: I've hit a skill plateau in the best and only rocket car soccer game (I play the hockey variant), but I just have to find the next slope. I don't think one can ever stop getting better at Rocket League. There's always a better position I could've been in, an aerial I shouldn't have botched. It hasn't changed much over the years, but I feel like I could play it forever.
18. Hitman
RELEASED 2016 | LAST POSITION 14
Phil: This stealth sandbox about a bald assassin features six huge, absurdly detailed maps, each filled with interesting ways to bump off your targets. Hitman's social stealth systems—where disguises are more important than not being seen—gives you the time to plan, experiment and refine your approach. It's now the best game in the series.
17. Kerbal Space Program
RELEASED 2015 | LAST POSITION 39
Phil: Build a rocket, launch a rocket, fly a rocket, crash a rocket. And then do it all again—tweaking and experimenting until your design is bona fide spacefaring craft, able to maintain orbit or visit nearby celestial bodies. Kerbal Space Program is a sublime mix of physics and slapstick that makes for the perfect playground for space exploration.
16. Spelunky
RELEASED 2013 | LAST POSITION 10
Wes: No one's topped the way Spelunky's pieces play off one another to make its world feel deeply knowable and random at the same time. It's a game you play for hundreds of hours, until getting the key to unlock the chest to find the Udjat Eye to reach the black market to buy the ankh to die and come back to life to fight Anubis to take his sceptre to unlock the City of Gold to find the Book of the Dead to journey through Hell to fight King Yama just feels like another day playing Spelunky.
15. Alien: Isolation
RELEASED 2014 | LAST POSITION 8
Andy: The best horror game on PC, because the thing chasing you has a mind of its own. There's no pattern to predict, no patrol route you can exploit. The alien is intelligent. It will learn your habits and it will fuck with you, and that is terrifying.
Samuel: I replayed it this year, and it's amazing how much mileage they get out of the same two repeated enemies by making clever use of set pieces and different types of environments. Probably the best horror game ever.
14. Overwatch
RELEASED 2016 | LAST POSITION 13
Andy: I love Overwatch because, as someone lacking the skill to play most other online shooters competently, I can still make a difference in a match. The sheer variety of brilliantly-designed characters and their wildly varied toolsets means there's something for every kind of player, even if they can't pull off a decent headshot. It's also impressively accessible, cleverly explaining the intricacies of its heroes' abilities without overloading you with information.
Bo: A year ago, Blizzard told me they had "barely scratched the surface" of abilities and character archetypes they'd like to explore in Overwatch. With the newest hero being a giant hamster ball mech with a Spider-Man-style grappling hook piloted by a literal hamster, I'm finally inclined to believe them. Overwatch continues to be one of the most unique and accessible shooters. And on the esports front, the Overwatch League's adoption of a city-based team model has ignited local enthusiasm in a way that no other game, tournament, or organization has been able to thus far.
Phil: We decided this list's order before Wrecking Ball was announced. I'll leave you to speculate whether he would have raised or lowered Overwatch's position.
13. Life is Strange
RELEASED 2015 | LAST POSITION New entry
Pip: Dontnod's episodic, time-rewinding teen drama develops (Look! A photography pun! Because the lead character is into photography!) from a gawky, awkward-but-sweet first episode with slightly clunky dialogue into a story capable of delivering real emotional sucker punches. It's not perfect—some puzzle segments outstay their welcome and the plot often throws subtlety out of the window—but OH MY! The cast of characters and the strength of their relationships elevate the whole thing, and the Instagrammy aesthetic bolsters the teenage intensity.
Phil: It also features probably the best use of mid-'00s indie boys playing sad acoustic songs about relationships and feelings in all of gaming. Max listening to José González while riding a bus across Arcadia Bay is a beautiful, understated sequence that gives us the time to empathise with the character and her feelings about the town she's returned to.
12. Hollow Knight
RELEASED 2017 | LAST POSITION 46
Wes: The best Metroidvania since Super Metroid. Hollow Knight is open-ended almost to a fault, giving you a massive, decaying, interconnected bug kingdom to explore and frequently find yourself lost in. It can be overwhelming at first, but the feeling of discovery ends up being immensely rewarding as a result. The super responsive platforming and combat keep backtracking from ever feeling like a chore, something similar games have struggled with.
11. Doom
RELEASED 2016 | LAST POSITION 9
Tom: A modernisation of Doom that puts the focus firmly on speed and sweet guns. The DOOM reboot resists decades of shooter trends that either ape Call of Duty or try to crossbreed the FPS with other genres. There's nothing wrong with that sort of experimentation, but it's so refreshing to boot this game up and blow gooey chunks out of the forces of hell. Bring on the next one, id.
Samuel: The best single-player FPS there is in 2018. A clever update of Doom that turns fights into melee-heavy duels, with a not-overly-serious tone that hits just the right spot.
Wes: And the levels are actually intricate mazes full of secrets, just like classic Doom! I expected good shooting in bland corridors, but this is so much more.
10. Metal Gear Solid 5: The Phantom Pain
RELEASED 2015 | LAST POSITION 6
Tom: I loaded back into my MGS5 save a month ago to find Snake decked out head-to-toe in a leopard skin combat suit. I forgot that my dog had a knife and my horse had a face shield, and I forgot that I named my squad TACTICAL OCTOPUS. It’s a terrific open world stealth game, but its quirky sense of fun makes the supernatural military nonsense bearable.
Samuel: My favourite stealth action game ever, that sits somewhere between immersive sim and Metal Gear of old.
9. Dark Souls Remastered
RELEASED 2018 | LAST POSITION 2 (Prepare to Die Edition)
Tom: Have you met Gravelord Nito? He's a roiling mass of skeletons shrouded in a cape of souls. He lives deep in Dark Souls nightmarish catacombs, and he's just one example of the game's extraordinary art direction, and powerful sense of dark fantasy horror. People go on about Dark Souls' bottomless lore with good reason, but underneath the theatrics it's actually a very simple game. You raid dungeons, chop up monsters, loot chests and level up. Without strong, enduring combat fundamentals I wouldn't have kept playing long enough to uncover the gods' tragic stories.
8. Subnautica
RELEASED 2018 | LAST POSITION New entry
Pip: Subnautica is my game of 2018 so far. I usually tap out pretty fast when it comes to survival games but this one takes place in a gorgeous underwater world, involves a compelling plot, AND I adore tinkering with my little underwater base. It also lets me choose how much survival-ing I care to have as part of the game experience, meaning I can switch off thirst. It's not exactly better down where it’s wetter given the wealth of creatures and situations which can kill you, but it's exactly where I want to be.
Andy: Exploring is genuinely rewarding, both in terms of finding resources to build cooler submarines and environmental detail. It's a world with a story to tell, and it tells it brilliantly.
7. XCOM 2
RELEASED 2016 | LAST POSITION 4
Tom: Strategy games are good at making me care about numbers and systems, but XCOM 2 is one of the few I can name that translate the numberwang into emotional investment. Losing a squad member can feel devastating. You nurture them between fights, gradually upgrading their gear and unlocking sweet new skills, only for an alien to cruelly blast them in a routine mission. When things go wrong in XCOM, they go very wrong indeed, which is all part of the drama in a game that casts humanity as the underdog.
Evan: XCOM's art direction is ridiculously underrated. Its maps are believable, colorful dioramas that shatter into pieces under the heat and intensity of your insurgent combat.
6. Rainbow Six Siege
RELEASED 2015 | LAST POSITION 15
Evan: Sure, you can play Siege as if it's Counter-Strike, pre-firing and out-angling your opponents with snap marksmanship. But the real joy is in outsmarting the other team by poking clever holes in the maps, placing your gadgets in unexpected positions, and careful drone scouting. I also love Siege's tempo: this is a shooter that gives you time and a canvas of breakable space to stop, strategize, and execute a dumb plan with absurd gadgets like an eyeball turret that shoots lasers, invisible poison mines, and a drone that shoots concussions. Ubisoft remains devoted to supporting Siege with meaningful systems renovations and with four annual updates that add new characters and maps.
5. What Remains of Edith Finch
RELEASED 2017 | LAST POSITION 27
Samuel: This first-person narrative game is constantly inventive. Edith Finch ventures into the home where her family used to live, before they all died in various tragic circumstances and their rooms were sealed up. You uncover each of their stories. It's the high point of this genre.
Andy: Exploring the abandoned home of the eccentric Finch family and uncovering their history is one of the most satisfying storytelling experiences a game has ever given me. But it's a game I'll never play again, simply because one scene in particular was so emotionally-charged that I can't face it. Any piece of media that holds that kind of power has to be special.
4. Into the Breach
RELEASED 2018 | LAST POSITION New entry
Tom: Into the Breach is a game about quick turn-based battles between mechs and kaiju-sized bugs, and it's almost perfect. Unlike many turn-based strategy games, Into the Breach doesn't use chance to inject battles with tension—the UI tells you pretty much everything that's going to happen next turn. The pleasure comes from solving the next turn state as efficiently as you can. It's a small game—battles only last a few turns on an eight-by-eight grid—but the varied mech teams and increasingly nefarious bug types create a huge amount of tactical variation. It shows that strategy games don’t have to be long and laborious.
Wes: There's so little randomness that random moments have immense impact. In one run, I had two buildings resist damage at a pivotal point. I've never done a more exaggerated fist pump.
3. Divinity: Original Sin 2
RELEASED 2017 | LAST POSITION New entry
Tyler: Divinity: Original Sin 2 feels less stodgy than other classic RPG revivals while heightening their best qualities: turn-based combat (I hate real-time, sorry) with physics-based spells and exploding barrels (necessary), great characters, and a commitment to letting players do what they want, even if it breaks everything.
Wes: It offers you an intricate RPG sandbox to play in, and it invites you to break the rules in as many ways as you can imagine. The first game did that, too, but this one marries that freedom with across-the-board great writing and genuinely thoughtful roleplaying. It walks the walk and talks the talk.
2. Dishonored 2
RELEASED 2016 | LAST POSITION 3
Samuel: This is the best stealth game there has ever been. While the high-concept levels like A Crack in the Slab and Clockwork Mansion get a lot of attention for their clever one-off twists, more traditional stages like Royal Conservatory and Dust District are so detailed and fun to explore. There's no sense of repetition, and each level feels like a huge event. It's the precision of Dishonored 2 I love. Every successful takedown or evasion feels like something you've earned.
Andy: Dishonored 2 has some of the best level design on PC, both in terms of the architecture and aesthetic, and in how the environments are rich playgrounds that let you really flex your creativity. Every location has something interesting about it, whether it's the time-hopping of A Crack in the Slab or the intricate house-sized puzzle box that is the magnificent Clockwork Mansion. And the sheer volume of ways to navigate the levels and complete your objectives really captures the spirit of PC gaming.
Tom: I want to savour every moment in Karnaca, because those levels are so dense and fun to explore. Immersive sims have always been good at creating broad levels like these, full of sandbox opportunity, but I really value that simple acts of moving, shooting and fighting feel great in Dishonored 2. Your regenerating mana bar gives you license to use your traversal powers freely, and I love blink and Emily’s tentacle leap. The introduction of Emily just broadens your toolset further. Domino, which lets you chain NPCs fates together so that one attack affects them all, is an inspired ability, and it's emblematic of the way Dishonored 2 builds on the tenets of immersive sims like Deus Ex, and spins them out in spectacular new ways. Augmented special forces dudes are cool, but warlock assassins are even cooler.
Phil: For me it's the reactivity of the world. Yes, the combat is fluid and satisfying, the level design is intricate and beautifully balanced, and the abilities perfectly tailored for absurd displays of skill and problem solving. But what ties it all together is the lengths Arkane has gone to make it all feel believable and real. Immersive sim is, I will admit, a clunky term, but it’s a useful way to encapsulate a core philosophy: that a game’s systems must work to make you believe in a world, even if that world features magical parkour assassins. I believe in Dishonored 2's world because throughout I encountered ways Arkane had anticipated player behaviour. The most extreme example is found in the standout mission A Crack in the Slab, which features an alternate timeline that only occurs if you do something that’s never asked of you—that most people will probably never try. Arkane knew someone would try, and so made a response. That's amazing dedication to the craft.
1. The Witcher 3: Wild Hunt
RELEASED 2015 | LAST POSITION 1
Tom: It's a great execution of the ronin fantasy set in one of the most beautiful worlds on PC. The craggy Skellige isle might be one of my favourite places in games, or is it Novigrad, or the sunlit vineyards of Toussaint? Even the dripping bogs in the early areas are pretty, in their own miserable way. Within these gorgeous places you meet people with interesting problems. Maybe their local well is haunted. Maybe their spouse is haunted. Usually something is haunted, or cursed, or being pursued by a hideous mythical beast. I treated the sidequests as the main quest, to be honest, roleplaying a mutant outcast on a mission to make the world a slightly better place. Oh, and let's not forget Gwent, one of the best games-within-a-game since Final Fantasy VIII's Triple Triad.
Jody: The fact you play a character with his own place in the world, including allies, enemies, and ex-girlfriends, is a definite strength of The Witcher 3. But it wasn't always this way. In the first Witcher game Geralt was an amnesiac sleazebag and honestly a bit of a tool. He wasn't a fun person to be around, let alone to be. But by The Witcher 3, Geralt's a caring father figure with a heart of gold beneath layers of beard and gruff, and more than that he feels like someone you personalise. How much he cares about getting paid, who he loves, how seriously he takes his creed, that’s all you. The Witcher 3's version of Geralt is the perfect videogame protagonist not because he's more integrated into his world than a character you make from scratch, but because he's a solid outline with room to manoeuvre inside that. He contains multitudes—but not too many. He has well-defined areas of doubt and uncertainty.
Wes: "Place" really is what makes The Witcher 3 so spectacular, and like no other game I've played. It's not just that the world is gorgeous and detailed, though it is both of those things. The Witcher 3 has this unparalleled combination of artistry and technology that makes its locations and characters feel authentic. Accents and architecture differ between the mainland and Skellige. The characters you encounter out in the world have quests that involve their families or monsters native to their region, and the more of these quests you take, the more you appreciate how natural and human they seem. No one's asking you to go out and slay five wolves because that's a good way to spend ten minutes in an RPG. If you're killing beasts, it’s probably to save a village's flock or get revenge for a grieving father, and even straightforward quests often end with surprising deviations. Depending on how you play Geralt, you can be a mercenary in search of coin, or calmly talk someone out of a decision you know they'll regret. You can haggle with assholes who don't respect the value of a witcher's work, and you’ll have to decide what to do when a poor farmer doesn't actually have the money he promised you. Those touches, along with the motion capture, the voice acting and the wind on a blustery night in Velen, make the whole thing come alive. What a world.
Phil: A thing I hate about most RPG writing is that something as simple as asking to be rewarded for your time and effort is treated as the most evil thing a protagonist can do. But in The Witcher 3, Geralt is a professional doing his job. His haggling with clients over money isn't a deviance or a crime, but the expected cost of hiring a man who is good at what he does for a living.
Andy: I love The Witcher 3 because it’s a game where almost everything is meaningful. When you pick up a quest, it isn't just some thinly-written excuse to get you to go kill a monster. There's a backstory, a motivation, and often a twist. Quests can spiral, turning an encounter with a peasant in a tavern into a sprawling epic that ends with you fighting some great, mythical beast atop a crumbling tower in a raging storm. The game is heaving with interesting characters and worthwhile things to do, and Geralt is the foundation of it all: a complex lead who makes other videogame characters look like cardboard cutouts.
Personal picks
We love many more games than we can fit onto one list, so here the PC Gamer team has spotlighted a few of their favorites that didn't make the cut.
Philippa Warr: Cradle
Cradle, like Deadly Premonition, is wonky but fascinating and stays with you for years. It's a transhumanist puzzler where you try to repair a mechanical girl who is also a vase in a yurt on the Mongolian steppe next to an abandoned theme park which dispenses block-based minigames.
Joe Donnelly: Kentucky Route Zero
Kentucky Route Zero is wonderful. Its storylines are weird and interesting. Its minimalist art style is gorgeous. Its sprawling open road and Mark Twain-esque Echo River are a joy to explore. Its cast of characters are quirky and often funny. And it's not even finished. Look for its final act this year.
Bo Moore: Prey
The first 20 minutes of Prey form one of the most inspired sci-fi set pieces of recent memory. An immersive sim that offers fantastic problem solving, enjoyable enough combat (even if the enemies are a bit uninspired), and, true to its pedigree, a level of environmental storytelling that rivals Rapture.
Steven Messner: Slay the Spire
This deckbuilding roguelike isn't out of Early Access and already I've sunk more hours into it than I’d care to admit. It's a deceptively simple game that anyone can easily pick up and play, but learning to build the perfect deck—and getting all the lucky drops to pull it off—can make hours vanish.
Tyler Wilde: Chess Ultra
For online chess, I recommend Chess.com. But if you want to relax with a few AI games, Chess Ultra has many of the features of pro chess software without the complexity. It's for people who just want to play chess, and it works wonderfully. The Twitch integration and VR support are cool, too.
Chris Livingston: Duskers
Issue text commands to drones to steer them around abandoned space stations where terrifying aliens lurk. You can only see what your drones see, giving Duskers a spooky found-footage feel. It's a scary and surprising roguelike where everything going wrong is as much fun as everything going right.
Tom Senior: Thief Gold
It's surprising how well 1998's Thief still holds up. It's tense and atmospheric, and the labyrinthine levels feel huge, substantial and ambitious even today. It's punishing, and the spindly NPCs look kind of ridiculous now, but I still get the fear when I snipe out a torch with a water arrow, hoping that nobody sees it.
Phil Savage: Shadow Tactics: Blades of the Shogun
A stealth puzzler that's not afraid to make you wait. You embark on missions throughout Edo period Japan, silently breaking into well-guarded strongholds using wits, patience and an adorable raccoon dog. Deep, tactical and rewardingly tricky.
Andy Kelly: Else Heart.Break()
In a digitised world, anything can be hacked. That’s the premise of else Heart.Break(), a unique game about love, freedom, and cybercrime. You can hack objects to change how they behave. Hero Sebastian uses his newfound coding skills to join a gang of hacktivists.
Evan Lahti: Oxygen Not Included
The intricate systems-maths of a sim wrapped in the handmade charm of a Klei game. Within hours of starting a new colony, you're optimizing airflow and figuring out the right number of toilets to fertilize your plants. It's still in Early Access, but this is already my favorite ant farm on PC.
Samuel Roberts: Assassin's Creed Origins
I'm not traditionally a fan of Ubisoft’s series, but almost everything here, from world layout to combat to quest structure, has been revamped. I think everyone should see this open world before they die. It's a staggering creation.
James Davenport: Stories Untold
Using a computer shouldn't be scary, but Stories Untold makes it so. The fidelity of the keys and knobs draws you into its world. Sitting at your computer while the protagonists are tormented by their own makes the events of these four short stories feel more real and unnerving.
Has it really been 20 years since Grim Fandango? Almost—the game turns 20 in October, and to celebrate Geoff Keighley and Tim Schafer put together a special event at the E3 Coliseum Tuesday night. The key cast of Grim Fandango reassembled to do a live read of the script, with Sch
Has it really been 20 years since Grim Fandango? Almost—the game turns 20 in October, and to celebrate Geoff Keighley and Tim Schafer put together a special event at the E3 Coliseum Tuesday night. The key cast of Grim Fandango reassembled to do a live read of the script, with Schafer setting the stage as narrator. It's not every line from the game, obviously, the but the hour-long event runs through the key scenes of Manny's quest to make amends with Meche across four years of the day of the dead.
Composer Peter McConnell and a backing band provide an accompanying live soundtrack and sound effects. Oh, and Jack Black is there. Black isn't playing his role from Double Fine's Brutal Legend—he subs in for a few of the smaller Grim Fandango voice parts and hams it up appropriately. For me, the highlight is seeing Tony Plana reprise the role of Manny Calavera. If you have an hour to kill, this is a great way to do it.
The main voice cast and composer of LucasArts’ Grim Fandango reunited last night during E3 for a live performance of scenes and songs from the splendid adventure game. The game turns 20 this year, and after all this time it’s just lovely to see them having a lark together, readin
The main voice cast and composer of LucasArts’ Grim Fandango reunited last night during E3 for a live performance of scenes and songs from the splendid adventure game. The game turns 20 this year, and after all this time it’s just lovely to see them having a lark together, reading through scenes, gabbing about the game, and jamming (and singing!) those top tunes. Watch the hour-long performance, from Geoff Keighley’s E3 show, below. (more…)
Great moments in PC gaming are short, bite-sized celebrations of some of our favorite gaming memories. Grim Fandango is a beautiful adventure, and never moreso than during Year 2. That’s the part set in Rubacava, an art-deco Casablanca where we leave hero Manny Calavera sweeping
Great moments in PC gaming are short, bite-sized celebrations of some of our favorite gaming memories.
Grim Fandango is a beautiful adventure, and never moreso than during Year 2. That’s the part set in Rubacava, an art-deco Casablanca where we leave hero Manny Calavera sweeping floors and return a year later to see him at the head of his own casino, a local hero. That transition alone is a beautiful bit of game design, but it’s what follows that really cements it.
Where most games ultimately make you some kind of outsider, with little or no real place in the world save maybe as its local bruiser/gunslinger, Grim Fandango opened up Rubacava with the idea that you know everybody, and more importantly, everybody knows you. Whether it’s picking up that at some point Manny has made contacts with the police, or the unrequited love between him and Carla the security guard, it’s an immersive and even heart-rending place to explore. After all, you’re not there during the good times, but picking up the story as Manny prepares to burn every bridge in the probably futile pursuit of the woman he let down. You arrive as a king. You leave back at square one, on a chase rooted more in guilt than any hope of salvation.
And oh, that music. That wonderful, wonderful music. Rubacava is one of the greatest towns in gaming, give or take a couple of particularly painful puzzles. It’s not a place you’d likely want to live, but it’s a great place to have lived. If only secondhand.
Tim Schafer, the designer of all-time PC Gamer favourites like Grim Fandango , Full Throttle and Day of the Tentacle received the BAFTA Fellowship last week in recognition of his creative contribution to games. Along with much of the staff at Double Fine, Schafer is currently wor
Tim Schafer, the designer of all-time PC Gamer favourites like Grim Fandango, Full Throttle and Day of the Tentacle received the BAFTA Fellowship last week in recognition of his creative contribution to games. Along with much of the staff at Double Fine, Schafer is currently working on a sequel to cult classic Psychonauts 2, which was successfully crowdfunded in January 2016.
We never seemto pass upan opportunity to talk to Schafer, and at EGX Rezzed last Friday I sat down with him to ask how Psychonauts 2 is coming along and whether he'd be interested in remastering more of Lucasarts' treasure trove of adventure games—even if they weren't games he worked on.
How does receiving the BAFTA Fellowship make you feel?
Besides old? It's really nice. It's coming from an organisation that values creativity and tries to encourage that in a generation of young talent, and that's something I feel like we've always tried to do as a company, so it feels very relevant and important to recognition—and a very heavy trophy.
It was an interesting spread of winners this year—particular Edith Finch winning Best Game. That sends a strong message.
Those are great games. It was nice to see Night In The Woods and Gorogoa win awards, as well as Hellblade winning so many.
Double Fine is at an interesting mid-point between developer and publisher. How has your role changed in the last decade or so?
Well, some things are new, and some things are the same. I still try to hold on to the parts of the job that I love, like writing. I'm still writing on Psychonauts 2, I'm hard at work getting all those cutscenes and levels writing done. But we've added a lot more things with an eye on the industry at large—trying to be a good heart of the indie games community, doing things like Day of the Devs and Double Fine Presents. There are so many games out there that disappear, and we want to help showcase the ones we think are the best. So I've added that kind of stuff, but I've left the parts of the job I'm not good at or don't enjoy like biz dev, money raising and work schedule. Team management I've sometimes left to other people smarter and better people than me so I can focus on still being creative, but still reaching out to the industry at large, trying to be a good citizen.
You've talked a few times about the amount of games out there, and the struggle to stand out. Do you feel like you've found the right way of getting games to a larger audience?
Yeah. There are actually a lot of indie developers doing this now, like Finji, who are helping out other indie developers. We're picking games that really stand out to us, or speak to us, and need what we have to offer. We're not sitting on a huge pile of money, though we are investing more and more in the publishing side. We've been around a long time. We know how to do everything from crowdfunding to relating to platform holders to how to get featured, how to outsource—all those things a developer might not know on their first game out. A lot of that is the hard work and curation of Greg Rice, our VP of business development, who runs Double Fine Presents. He's spending time at the show checking out all the games, seeing what stands out and meeting developers we might want to work with. We talk about it too, as a team, we play the games. At lunchtime we invite the whole company at Double Fine to come play some of these new games and see which ones we think are special.
You've gotten pretty good at the crowdfunding process. Are you less reliant on work-for-hire than you used to be?
To make a game as large as Psychonauts, we needed help from a publisher and that's when we really put together a flexible source of revenue. We have our own back catalogue now from games that we've self-published, like Brütal Legend on the PC, and all of our games that we've published we build to generate revenue from them, and every time we have a big Steam sale or a Humble Bundle we'll generate more money we can invest back into Psychonauts 2. But we also have Starbreeze publishing. So I think crowdfunding is still a great way to serve underserved markets like adventure games and things, where publishers might not be able to risk money on [them], but it's also a great way to connect with your strongest advocates out there in the community who really want to be backers, not just financially but emotionally and spiritually.
Can you talk about how Psychonauts 2 is coming along?
Yeah, we have about five level teams cranking away on the mental world. In Psychonauts you go into the minds of people and see their inner demons and fight the nightmares. We have multiple teams working on new levels for that, and we just did an update about the level teams and how they work. I'm almost done writing the cutscenes for the game, and we're just starting to look at casting for the voices.
When you make move the release date of a game, like you did with Psychonauts 2 in December, do you feel more pressure making those decisions when it's a crowdfunded game?
No, not unless you're asking for more money from them, because we're not. With Broken Age we doubled the length of time we'd take to make the game, but we also put in a bunch of our own money to match what the backers gave it. I feel like we're saying, thanks for waiting, we do apologise it's taking a while—so don't apologise. because that decision is to make a better game. You see announcements in the news about, 'oh, this game slipped' and everyone's all mad. The real bad news is the game's getting shipped when it's not ready. That's the opposite of that news release, right? And no one ever sees that announcement, because they don't make that announcement, but that's where the players really suffer—not from having to wait for a good game.
You've got former 2K Marin design director Zak McClendon as your lead designer on Psychonauts 2. What's that collaboration like?
Zak is an experienced leader of design. He worked on BioShock 2, a really great version of BioShock, and he brings a lot of expertise to the mechanics and the tuning and the physical side of level design and a lot of things we wanted to improve on in the second game. We felt like we can still do story and creativity and art really well, but we wanted to improve the platforming and level design on a mechanical level. I think he has a lot to offer there.
How is your studio divided across different projects right now?
We've got two games [going ahead]. After Brütal Legend, we split into four 15-person teams instead of one 60-person team. Three of those together is Psychonauts, and another team that's working on a secret unannounced game. So I always want to have multiple games going on because it gives you some perspective, flexibility and variety in the company which is important.
That moment where you split into those four teams felt like the start of an important new phase for Double Fine.
Definitely. And it was a great growth moment where we got to have people like Lee Petty, Tasha [Harris], Nathan [Martz] and Brad [Muir] run their own projects. Everyone got to try something new and everyone got to move up. We got a whole bunch of new genres nobody had ever done before. It helps us be nimble, trying to do something like Iron Brigade which was a mechanics-first type game rather than a story or narrative game. It lets us try to do things Once Upon A Monster or an RPG with Costume Quest and not bet the whole farm on it every time.
What was it like to revisit your old games for the recent remasters?
It was the kind of thing I had to give my permission to do. I've always had an instinct to stay away from the past, make a game, move on and make the next game. Don't rest on your laurels. You should always be trying to pull out new ideas. But then, 20 years go by for some of these games. It's been enough time that there's some value in going back and looking at them.
Also, they were falling apart. They weren't available anymore, they didn't run so you'd have to pirate them if you wanted to buy some of them. We thought it was time. Also, the source material was ageing. A lot of it was on tape drives that are crumbling. Some of the team had passed away. While everyone's still around, let's make a definitive version of this game. We can get the team back together to comment on it, and gather that art, go to the archives and find what we can find. So we made versions of the game that are really phenomenal, and they gather a lot of that source material so you can see who we were at the time we made that game, who the team was. We can also do things like remix the audio, have it cleaner and not compressed.
Between that and Psychonauts 2, then, you have opened yourself up to the idea of looking back.
Yeah. Although Psychonauts 2 is a sequel, and we don't usually do that, but the story is a whole new chapter and it's something I wanted to do back when I made the first game. I had these ideas for how that story would continue, and being able to wrap up some of those loose ends that we started in the first game has been really satisfying.
With the Lucasarts remasters, you've now worked on your major projects there. Would you be open to taking on Lucasarts adventure games that could do with similar treatment, even if they're not games you worked on?
We'd love to, and in some ways it's up to Disney, if they want to do that, obviously, and if the original creators want to be involved, you know. That's what makes those remasters special, that the original creators came back and were able to say what to improve on, what to leave alone.
If Disney expressed interest in doing sequels to your older games, would you be interested in doing that, or are you all about owning your own games now?
The reason I started the company was to own what we make, so it is important to me to own them, and I had to be talked into doing those remasters on the business side. Our biz dev person at the time, Justin, was like 'you should do this'. [And I was like], 'we don't own them, what's the point?' and I'm really glad we did decide to do them, even though we don't own them. First of all we made money off of them, which is something I couldn't do in the past. We made money off Full Throttle, but we sold more copies of Grim Fandango this time around than the first time around, and so that was exciting to be a part of.
And also, I got to make sure they were done right, and still be associated with the new versions of the game and not let someone else do that. That was really important to me. So I'm glad we did that. I would like to own them some day, mostly just to make sure I can preserve them. We lucked out, we made those remasters [with people] that were fans of the old games at Disney and at Lucasarts, and people still wanted to see those kept alive.
What do you think the state of comedy in games is now?
I feel like it's getting better. There are a lot of indie games that are really funny and light-hearted. The games industry dwells too much in the over serious, the grim hero of action games and hyper-macho things. The film industry is not known for being super inventive all the time, but even they have comedies every year and romance. Those things are not well-treated in mainstream games very often, but indie games I think have shown the way, by being games about anything. Making games that are funny, making games that are serious.
Jazzpunk and West of Loathing come to mind as great comedy games of recent years. Jazzpunk is particularly great at allowing the player to play a role in creating jokes.
I feel like interactive comedy is all about giving the comedy tools to the player. Giving them the wacky ability to squirt ink on everybody, or act and behave bad. It's like you're staging a play and there's this drunk improv character in the middle of it being rude to everybody, and that's the player. You've got to react to that, and as long as you give the player good props and good costumes to wear, and good actions they can do, they'll have a lot of fun, and be able to be funny.
What's it like working with a Psychonauts 2 team made up of both fans of the original game and people who were fans of it?
I think it's an important mix to have, because you want people who remember the special ways you made the first game stand out, how did you achieve that, and to remind you that we had some of the same problems with the first game that we had in the second game, insofar as there's periods where the level has to be rebooted. We rebooted one of the worlds five times, I think, and it's good to have that kind of perspective on it. Then it's also good to have people who don't have that history, who just started with some new ideas and new ways of doing things that can make the game better.
How has your writing process changed over the years, and how is that conveyed through your work?
When I do the remasters and I read my old writing, I remember how I was feeling when I wrote that. I feel like my process is still really similar. I do a lot of free writing, I do a lot of brainstorming, and I do a lot of writing locked in my office. I try to absorb the characters completely in my brain, and then treat it like improv acting where I act every part out as I'm writing, and I think that is basically the same. I feel like I've been through more as a human being, and that I've lived more, and that that's made me more empathetic towards human beings, and so maybe that comes through in the writing a little more. I worked really hard to become a better writer, and that's harder to do when you get more established—to find more ways to improve your craft, but I think it's really important. Even after you feel like you've arrived or succeeded, you don't stop learning how to do better, because I think that's the only way to have a long career—to always be getting better.
The Humble Store is holding a huge Double Fine sale today. The sale runs through 10 a.m. Pacific (1 p.m. Eastern) tomorrow, Thursday, January 25, and includes games that the studio both developed and published. You can find all the games in question by searching for Double Fine i
The Humble Store is holding a huge Double Fine sale today. The sale runs through 10 a.m. Pacific (1 p.m. Eastern) tomorrow, Thursday, January 25, and includes games that the studio both developed and published. You can find all the games in question by searching for Double Fine in the store, or by following this link. Here are some of the best games and discounts available:
GOG's Winter Sale is now live, bringing with it a host of special offers and, as the headline above suggests, Grim Fandango Remastered free-of-charge. From now through December 14 at 6am PT/2pm GMT, you can grab your complimentary copy of LucasArts' reworked classic that's set in
GOG's Winter Sale is now live, bringing with it a host of special offers and, as the headline above suggests, Grim Fandango Remastered free-of-charge. From now through December 14 at 6am PT/2pm GMT, you can grab your complimentary copy of LucasArts' reworked classic that's set in the land of the dead.
The 2017 GOG Winter Sale itself runs from today through December 26, and sees a variety of top games going for great prices. The Witcher 3: Wild Hunt, for example, costs £13.99/$18.39 with a 60 percent discount. Darkest Dungeon and Tyranny are subject to the same price slice, selling for £7.59/$9.99 and £13.99/$18.39 respectively; while Cuphead is on sale for £12.79/$16.74 with 15 percent less its RRP.
In a bid to encourage users to "broaden [their] horizons and try something new", purchasing a 'Star' nets you one of GOG's hand-picked Mystery Games. Most importantly, the retailer guarantees these lucky dips will return games you don't already own.
Furthermore, buying games in the GOG Winter Sale lets you unlock new games, too. Hard West, for example, unlocks when you spend £11.39/$15, while Master of Orion drops when you spend £30.39/$40. "Every purchase counts," says GOG in a statement, "from winter deals through GWENT card kegs purchased via GOG Galaxy."
Check out the GOG Winter Sale in full in this direction.
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Day of the Devs is an upcoming gaming event where fans can meet up with a bunch of game developers to hang out and revel in their mutual passion. It's also the catalyst for Humble Bundle's latest bundle, which is offering $131 worth of games at obscene discounts. Spend any amount
Day of the Devs is an upcoming gaming event where fans can meet up with a bunch of game developers to hang out and revel in their mutual passion. It's also the catalyst for Humble Bundle's latest bundle, which is offering $131 worth of games at obscene discounts.
Spend any amount on the Day of the Devs bundle and you'll get TumbleSeed, a 2D roguelike about pushing a seed up a mountain with a balance beam; Loot Rascals, a grid-based roguelike about exploring alien planets; and Grim Fandango Remastered, the definitive version of Double Fine's classic (which we loved).
At the time of writing, the bundle's average donation is $6.02. Chip in more than that and you'll get Abzu, one of the best underwater games around; Flinthook, a cheerful, skill-based platformer; and Day of the Tentacle Remastered, another fantastic adventure game which benefited immensely from an HD face-lift.
Finally, for $9 or more, you'll get Everything, which is a pretty good bargain when you think about it, and Full Throttle Remastered, which rounds out Double Fine's showing in this sale.
Additionally, the $9 package comes with a VIP ticket to the Day of the Devs event itself. It's being organized by Double Fine and production company iam8bit, and will be held in San Francisco on Saturday, November 11 at The Midway venue located at 900 Marin Street, for you San Francisco locals. For non-Californians, the VIP ticket doubles as a coupon worth 20 percent off a variety of merchandise from iam8bit's online store.
The Day of the Devs bundle will be available through 12 pm Pacific (3 pm Eastern) on November 11. The iam8bit VIP coupon is valid through December 31.
Your usually crowded weekend menu has a whole extra course this week, an extra day of gaming that you probably didn't prepare for. But how to use this time? Perhaps the sommelier can be of assistance... Might we suggest Grim Fandango Remastered? 1998 was a classic vintage after a
Your usually crowded weekend menu has a whole extra course this week, an extra day of gaming that you probably didn't prepare for. But how to use this time? Perhaps the sommelier can be of assistance...
Might we suggest Grim Fandango Remastered? 1998 was a classic vintage after all, and this edition was found down in the cellars and given a good dusting off. You'll find that it's aged spectacularly, and at this price is really a steal.
Your usually crowded weekend menu has a whole extra course this week, an extra day of gaming that you probably didn't prepare for. But how to use this time? Perhaps the sommelier can be of assistance... Might we suggest Grim Fandango Remastered? 1998 was a classic vintage after a
Your usually crowded weekend menu has a whole extra course this week, an extra day of gaming that you probably didn't prepare for. But how to use this time? Perhaps the sommelier can be of assistance...
Might we suggest Grim Fandango Remastered? 1998 was a classic vintage after all, and this edition was found down in the cellars and given a good dusting off. You'll find that it's aged spectacularly, and at this price is really a steal.
Have You Played? is an endless stream of game retrospectives. One a day, every day of the year, perhaps for all time. You met me at a very strange time in my life, Grim Fandango . And I rather think I met you at a very strange time in your creators’ lives too. …
Have You Played? is an endless stream of game retrospectives. One a day, every day of the year, perhaps for all time.
You met me at a very strange time in my life, Grim Fandango. And I rather think I met you at a very strange time in your creators’ lives too.
What are the best Steam Summer Sale deals? Each day for the duration of the sale, we’ll be offering our picks – based on price, what we like, and what we think more people should play. Read on for the five best deals from day 4 of the sale . …
What are the best Steam Summer Sale deals? Each day for the duration of the sale, we’ll be offering our picks – based on price, what we like, and what we think more people should play. Read on for the five best deals from day 4 of the sale.
Remastered and Rerecorded by Peter McConnell and the Melbourne Symphony Orchestra, the Sultry, Latin Jazz score from Grim Fandango Remastered is now available on Steam! Buy the Grim Remastered OST for $9.99, or get the soundtrack and game together for $19.99! And for this week gr
Remastered and Rerecorded by Peter McConnell and the Melbourne Symphony Orchestra, the Sultry, Latin Jazz score from Grim Fandango Remastered is now available on Steam! Buy the Grim Remastered OST for $9.99, or get the soundtrack and game together for $19.99!
And for this week grab the game at 33% to celebrate the soundtrack release!
Remastered and Rerecorded by Peter McConnell and the Melbourne Symphony Orchestra, the Sultry, Latin Jazz score from Grim Fandango Remastered is now available on Steam! Buy the Grim Remastered OST for $9.99, or get the soundtrack and game together for $19.99! And for this week gr
Remastered and Rerecorded by Peter McConnell and the Melbourne Symphony Orchestra, the Sultry, Latin Jazz score from Grim Fandango Remastered is now available on Steam! Buy the Grim Remastered OST for $9.99, or get the soundtrack and game together for $19.99!
And for this week grab the game at 33% to celebrate the soundtrack release!
